VORACIOUS
by
Jerry Drucker
FADE IN:
EXT. RUSTIC HOUSE -- NIGHT -- PRESENT DAY
Moonlight reflects off roof solar panels. A house in a heavily wooded area, beside a dirt road.
An old beat-up van sits in the house's gravel driveway.
CRICKETS and FROG noise pierces the stillness.
INT. RUSTIC HOUSE -- CONTINUOUS
PICTURES ON THE WALL
Blackened, oil-soaked sea bird. Anti-logging protester in a tree. Redwood forests. Polluted lake. Several family pictures.
Solidly built, FRANK "HUGGER" MCFEE, 60s, sits at a wooden table. He examines a pierced and smashed unopened mailer box. He uses a knife to cut the box open.
He pulls out a video-cassette. Then a broken glass ampule. He looks closely at the broken ampule.
The crickets and frog sounds suddenly stop.
Hugger reacts to the sudden stillness outside.
CLOSE ON AMPULE
A small drop from the ampule hits the video.
Unaware of the drop hitting the video, Hugger returns the ampule into the box.
Holding the video, he rises and crosses to a VCR. Inserting the cassette, he moves to the sofa.
Starting the tape, a scholarly looking man, DR. KEEFER, appears on screen. To CAMERA.
DR. KEEFER (V.O.)
"If you're seeing this tape Hugger, it means I'm gone. Project Devil's Slide is now in your hands. I know you're committed and..."
A THWACK of a rock hitting the roof makes Hugger's head jerk up. He stops the VCR. Another HIT. He gets up.
EXT. RUSTIC HOUSE
Opening the front door, Hugger steps on to the porch. He looks around seeing nothing but darkness and moonlight.
Hugger is silhouetted by the interior light.
Another HIT.
HUGGER
Who's there?
No answer. After a beat, another HIT.
Hugger grabs a hoe leaning against the porch railing. He steps down to the gravel path.
HUGGER (CONT'D)
Who's out there?
He takes tentative steps on the gravel path.
HUGGER (CONT'D)
Someone in trouble?
A powerful flashlight beam splashes on Hugger's face. An unseen voice behind the light answers.
VOICE
You are, Hugger.
HUGGER
(blinded by the light)
What do you want?
VOICE
Hugger, you've hugged your last tree.
HUGGER
What are you talking about?
VOICE
You're the last of an endangered species.
A handgun appears 2 feet away from Hugger's right temple. The gun FIRES.
STRANGE VOICE
(the shooter; larynxectomy voice)
Now extinct.
Two MEN with night-vision goggles move to the fallen man.
The flashlight beam stays on the victim. The shooter, using a portable oxygen tank, looks closely at the body.
VOICE
You were more than a foot away.
STRANGE VOICE
Didn't want him seeing the weapon.
The beam is directed to the entrance wound. The head lifted by the first assassin's latex gloved hand. His thumb and forefinger are missing.
VOICE
We're okay. The rat shot pellets didn't go through.
The assassins wear black jumpsuits and latex gloves. Their feet are bagged to obscure foot prints.
They lift the lifeless body and carry it to the old van.
The side door is already open. The body is placed inside.
The shooter lifts the lifeless right hand. He opens and closes it on a handwritten note. The same with the gun.
The assassins prop Hugger up against the back seat.
The shooter holds the gun near Hugger's head. The shell casing is tossed between the seat and the door well.
He places the gun in the dead man's right hand. Lifting the hand and gun close to the head, he lets go.
On impact, the gun falls away from the dead hand.
INT. HUGGER'S HOUSE
CLOSE SHOT OF THE VCR
The VCR appears dead. No lit clock, numbers or lights.
A greenish glowing light pulses behind the translucent plastic door slot. A strange SIZZLING sound is heard.
The pulsing, glowing green light intensifies. A luminescent mass squeezes through the VCR door slot.
EXT. NATURAL BRIDGES -- SANTA CRUZ -- DAY
Beach at the Natural Bridges in Santa Cruz, California. Nature has taken a huge bite out of the dark cliffs, leaving a half-moon floor of tan sand.
Two hundred PEOPLE at a colorful ceremony on the beach. An overcast day.
The people, mostly Hippie types, form a half-circle.
Indian blankets spread on the sand. Handmade artifacts, pictures, and flower offerings sit on the blankets.
A green kayak sits next to the blankets. A wooden urn is placed on the seating board of the kayak.
Notable PEOPLE are in the gathering, including folk singer, PETE SEEGER. Video cameras zero in on faces from the cliffs.
Seeger SINGS in his plaintive voice, "Where Have All The Flowers Gone?"
KENNY MORROW, 50s, a compactly built, frenetic and emotional man, fights back tears.
EXT. TOP OF CLIFFS -- CONTINUOUS
A REPORTER standing next to a CAMERAMAN, looks down.
REPORTER
What's the title of the book Hugger finished in a tree?
CAMERAMAN
(eye to viewfinder)
"Up With Trees."
(has Kenny in sight)
Funnyman's not laughing today.
REPORTER
They were good buddies.
ALTERED ANGLE
On the cliffs. Attractive SIERRA KEEFER, 20s, wearing a backpack, takes out binoculars. She watches someone below.
POV BINOCULARS
REED "SUMI" MCFEE, 30s, standing next to Kenny. He's stoic behind dark glasses. He wears a baseball jacket and a New York Yankee baseball hat. He looks up.
Sierra quickly lowers the binoculars and hides behind a tree.
A NOISY unmarked helicopter flies low overhead, drowning out Pete Seeger and disrupting the ceremony.
CLAUSEN, a dark-suited security type, is atop the bluff. He wears dark glasses. He uses a telephoto lens to watch uplifted faces as the helicopter flies over.
The helicopter circles the ceremony, then flies off.
In anger, Pete Seeger looks at the departing chopper. He stops singing. He changes to Woody Guthrie's last chorus of "This Land Is Your Land."
SEEGER
"In the squares of the city - In the shadow of the steeple-- Near the relief office - I see my people And some are grumblin' and some are wonderin' If this land's still made for you and me."
Many nod in agreement. Some mouth "Yeah" and "Right on."
Kenny Morrow collects himself to speak to the gathering. He rubs tears from his eyes before starting his eulogy.
KENNY
Whew! How do you follow that?
(pauses)
Frank "Hugger" McFee. His detractors called him an eco-terrorist. Hugger was the antithesis of an eco-terrorist. Simply, he was a protector of the big blue marble we call Earth. He was a champion, a guardian, a rescuer and a guiding light.
(looks up to the sky)
The birds aren't singing today. They know they've lost a giant who had reverence for all living things. Even Republicans.
(waits for his laugh)
...Besides being perhaps the best known environmental crusader in the universe, Hugger had a unique quality making everyone he befriended think they were his best friend. He was my best friend.
Reed McFee doesn't betray his emotions.
KENNY (CONT'D)
...and a best friend to the Earth. Those here today are a tribute to this unique man. As a conservationist Hugger always told me to keep it short. That's what I'm doing. In his Will, he requested his son, Reed McFee fulfill his last wishes.
Kenny nods to Reed.
REED
(hesitant)
I don't know what to say... I've only seen him a few times over the last ten years.. I know my father was a great man and I guess I always admired him. He was uncompromising in his beliefs...
(shakes his head)
...He never wanted to grow old and I guess he got his wish. I wish I knew him better.
(nods)
That's about it.
Kenny pats Reed on the shoulder and leans close to his ear.
KENNY
You did okay, Reed. I expect you at my place in Tiburon. Lots of stuff I need to share with you.
REED
Thanks, Kenny.
Kenny somberly nods.
Reed moves toward the kayak. A half-dozen mourners help him lift the craft, keeping the urn balanced upright.
The group walks toward the surf. Many mourners reach out to touch Hugger's kayak as a last goodbye.
ADLIBS
Goodbye, Hugger... We'll carry on your work, Hugger...
The kayak is walked into shallow surf. The urn is held as Reed is helped into the small boat. He puts the urn between his legs and is handed the paddle.
Helpers step back. Reed starts alternate paddling.
ANGLE ON THE CLIFFS ABOVE
Clausen sweeps the crowd. He pauses on different faces. Mourners start up the hill. Clausen swings the lens up. He catches a glimpse of Sierra peering down.
CLAUSEN
(into lapel mike)
I think I see her.
He moves after her.
BACK TO THE KAYAK
Reed is now far from the shoreline.
The ocean swells have calmed. With steady strokes, Reed moves the kayak into the deeper quieter waters.
He lifts the paddle, balancing it across the gunnels. The small craft drifts. Reed looks at the wooden urn. He closes his eyes in memory.
FLASHBACK TO
Reed's blurred memory of a father and son, 10. The man climbing a huge tree. He urges the boy to climb up after him. Frightened, the boy vigorously shakes his head 'no.'
A second blurred memory of the same father and son. Now paddling in separate kayaks. The boy is smiling. He can't catch up to his father.
END FLASHBACK
The sound of a SPLASH. An INHALED BREATH breaks Reed's reverie. He opens his eyes.
A pod of dolphins breaks the surface. They arc gracefully, diving back beneath the surface. They barely create a ripple.
Reed decides this is the spot. He takes the wooden urn from between his legs.
Slowly he removes the cover and scatters Hugger's ashes.
The remains spread in an odd tortured pattern. Reed watches as the ashes are overtaken by a changing multicolored, fluorescent floating oil slick.
It appears the oily mass will consume the ashes. Then the brightly colored patch slips under Hugger's remains like a carpet. The ashes drift off propelled by an unseen current.
REED
Goodbye... Dad.
EXT. PARKING AREA NEAR BLUFF AND HIGHWAY
People pile into their cars and vans. Clausen checks out the departing mourners, looking for Sierra.
CLAUSEN
(into lapel mike)
She might have slipped us.
EXT. PORTABLE TOILET NEAR PARKING AREA
Two portable toilets stand at the edge of the parking area.
INT. PORTABLE TOILET
Sierra peers through an open vent. She watches Clausen check out the departing mourners.
EXT. PARKING AREA
A black sedan pulls up to Clausen. He takes a last look around and piles into the car.
EXT. NATURAL BRIDGES BEACH
Reed returns from his task. He's greeted by a few people on the beach. They help him land the kayak.
MOLLY, an Earth Mother type, wears a maxi. Her braided hair is parted in the middle. She gives Reed a hand out of the kayak. Others take care of the craft.
Her painted face has rainbows, her cheeks are full of sparkle.
MOLLY
We'll miss Hugger. Want us to keep his kayak and stuff at our place?
Reed looks at Molly as they start to walk up the beach.
REED
I'd appreciate it, Molly.
MOLLY
How long will you be here?
REED
I don't know. Lost my job back East. Long as it takes, I guess. How's Sage?
MOLLY
He's fine. Married, no kids. You boys were sure close as kids.
(on her mind)
You and your mom couldn't wait to get out of Santa Cruz, right Sumi?
REED
Hugger had a closer relationship to trees then to Mom and me. Molly, I'm not called Sumi anymore.
MOLLY
That's your name. Short for Sumac.
REED
Reed's also on my Birth Certificate. Besides, Sumi isn't a good name for my accounting profession.
MOLLY
I guess. Your mom never took to life here. Never smoked a joint.
REED
(smiles at a memory)
Yeah, she preferred elevators to climbing trees. It's been three years. I miss her.
MOLLY
Of course you do. That's very sad, losing both of them like that.
They stop at the steep wooden stairs leading up the cliffs.
MOLLY (CONT'D)
You got a place to stay?
REED
Yeah, I do. I'll stay in touch. Thanks...
MOLLY
No thanks necessary. We wanted to do what we did.
She walks off.
Reed turns to watch the kayak being carried up the beach.
CLOSE SHOT OF THE KAYAK
The painted name "HUGGER" takes on life as the small craft bobs up and down carried by two men.
Reed turns to face the steep wooden steps with handrails. He looks up. He's afraid. It's like climbing a tree.
EXT. PARKING AREA
Reed opens the door to a portable toilet and enters.
EXT. HIGHWAY NEAR PARKING AREA
In the black sedan, Clausen slowly cruises by the parking area, checking out parked cars.
INT. PORTABLE TOILET
Reed is ready to exit the toilet. He's stopped by a voice.
SIERRA (O.S.)
Reed?
He looks through the door vent. He can't see anyone.
REED
I'm coming out.
SIERRA (O.S.)
No, stay there.
REED
Why?
SIERRA (O.S.)
I'm in the stall next to you. I don't want to be seen.
REED
Do I know you?
SIERRA (O.S.)
Sierra Keefer. We met years ago when Dad and I spent a vacation with your family.
REED
Dr. Keefer? Is he here?
SIERRA (O.S.)
Dad is dead. He died like your dad and for the same reason.
REED
Sorry about your dad. Listen, I think I've had enough for one day.
He opens the door and steps out.
SIERRA (O.S.)
I'm in a ton of trouble, Reed. You might be too. Would you help me?
REED
How?
SIERRA (O.S.)
Take me to my car.
REED
(sighs)
Near here?
SIERRA (O.S.)
Just a couple of miles.
REED
Okay.
SIERRA (O.S.)
Could you pull your car up to me?
Reed looks up and down the parking area and the highway.
REED
I don't see anybody hanging around.
SIERRA (O.S.)
Please!
EXT. PARKING AREA NEAR THE TWO PORTABLE TOILETS
Reed pulls his SUV up to the second portable toilet. He leans over to throw open the passenger door.
Sierra exits the toilet. Staying low, she climbs into the front seat adjusting her backpack.
INT. SUV
Underway, Reed looks at Sierra, searching his memory.
REED
Right or left on the highway?
SIERRA
(urgent)
Left.
The fasten seat-belt bell is SOUNDING.
REED
Put your seat belt on please.
SIERRA
Shit! Okay, okay, just go!
She fights the seat belt, while trying to stay out of sight.
Reed wheels the SUV on to the highway.
Reed again looks at Sierra, putting together past memories.
REED
It's Sierra, right?
SIERRA
Right.
REED
I remember. You're the little kid who wanted to hang with Sage and me.
SIERRA
Guess I grew up.
REED
Guess you did.
She sits up straighter and looks at him.
SIERRA
I know this seems crazy, but I know why our dads were killed.
REED
My father took his own life.
SIERRA
No he didn't.
(looks out window)
Oh, shit! I think he saw me.
EXT. HIGHWAY
Dark sedan parked by the side of the highway.
Clausen follows Reed's car as it passes. He sees Sierra. He urges the driver to go.
INT. SUV
Sierra turns back.
SIERRA
He spotted me. They're after us.
REED
(looks in rear view)
Who are they?
SIERRA
Guys that want me dead.
REED
What do you want me to do?
SIERRA
Get away from them!
He gives her a look and steps on the gas pedal. Reed looks at the rear view mirror.
REED
They're gaining on us.
Sierra spots The Whale City Bakery as they speed by.
SIERRA
That's where my car is.
REED
Want to stop?
She shoots him a look, pulling a small automatic gun out of her backpack.
SIERRA
Stopping isn't a good idea.
He gives her a quick look, then concentrates on driving.
Reed heads north on the Coast Highway that has been cut into cliffs. The sea, a hundred feet below.
Railroad tracks border the highway at a slightly lower level on the coast side.
The pursuing car catches up to Reed and doesn't pass. In the right lane, the car nudges Reed's SUV into fishtailing.
Reed corrects the SUV as he sees an oncoming car heading South. The black sedan leaves Reed a choice. The railroad tracks or a headlong collision.
Sierra SCREAMS as Reed successfully maneuvers down to the track-bed. Reed misses the oncoming car, bouncing along the tracks.
The sedan Driver slows, staying even with Reed. When the Driver looks ahead he is surprised.
DRIVER'S POV
The Amtrak train is a half mile away.
INT. SUV
Reed and Sierra react simultaneously.
REED
Holy shit!
SIERRA
Holy shit!
SUV bumps along the tracks. The train speeds closer.
A quarter mile away. Elkhorn Slough Crossing. It intersects the railroad tracks and main highway.
Reed's race becomes speeding on the bumpy tracks to reach the crossing before the Amtrak train.
Black sedan keeps pace with Reed.
A toss-up to imminent collision.
INT. SUV
Reed fights to speed and keep the SUV on the tracks.
He reaches Elkhorn Crossing seconds before impact. He spins the wheel in a hairpin turn. He heads south, away from pursuers.
REED
These guys mean business.
Reed casts a glance at the gun Sierra is holding.
REED (CONT'D)
You know how to use that?
SIERRA
Let's hope you don't find out.
REED
(spots something)
Hold on!
Sierra reaches for a hand-hold.
He makes a sharp turn left off the highway to a side road with a street sign indicating "Cement Plant Road."
REED (CONT'D)
Rode my mountain bike around here when I was a kid.
Reed roars down the rough road. He glances at the rear view mirror. He sees the black sedan screeching to a stop after missing the turn-off.
The sedan backs up to enter the road and continue pursuit.
SIERRA
(looking ahead)
Looks like a dead-end!
REED
It is.
EXT. CEMENT PLANT
Reed abruptly spins the wheel of the SUV and tears through the entrance of the cement plant.
Workers near the entrance scatter as the SUV ROARS through the entrance.
Guiding the SUV between gravel conveyor belts, Reed heads for some mounds of powdered clay.
The black sedan speeds through the cement plant entrance.
The SUV passes close to the clay powder. It kicks up grey-white dust, obscuring the car from the pursuers.
The sedan Driver can't see through the huge dust cloud. He SCREECHES to a halt too late, running into a pile of gravel.
Reed races through the cement plant toward a raised gully defining the property line.
Just like his mountain bike days, he uses the raised lip to span the gully, landing on the other side. A low hill shows evidence of tracks from all-terrain vehicles.
Throwing the SUV into 4-wheel, Reed races up the hill.
INT. SUV
Fighting to stay on the uphill track, Reed shouts a question.
REED
Who the hell are those guys?
SIERRA
(holding on)
I think they're from a three-letter government agency.
REED
What am I getting into? You steal something from the government?
SIERRA
Not yet.
EXT. TOP OF HILL
The SUV arrives at the top. They start bouncing down.
At the bottom, Reed swerves onto a dirt fire-road. He HITS a rusty metal frame by the side of the road.
Reed straightens out, turning right onto the Coast Highway, going North.
INT. BLACK SEDAN
The sedan is stalled at the gravel pile.
CLAUSEN
(into mike)
...They're probably headed north. How long before your bird is airborne?
INT. SUV
Reed speeds on the highway, glancing in his rear-view mirror.
The gun rests at Sierra's side. She looks at Reed.
SIERRA
You really believe your dad took his own life?
REED
He left a note saying he had inoperable cancer. He didn't want a lingering death.
SIERRA
The same kind of note they said my dad left.
REED
You don't believe it?
SIERRA
No. They gave me a bullshit story the note was misplaced or somehow destroyed. Did you see your dad's?
REED
No.
SIERRA
My dad never would take his own life.
REED
That wasn't Hugger's style either.
SIERRA
Did they say there were X-Rays confirming cancer?
REED
Yes... I had no reason to question...
A loud POP is heard in the car. Reed and Sierra are startled as the SUV lists right.
The SUV right front tire FLAPS as they slow down. Reed is in shocked disbelief.
Limping to a stop, Reed guides the SUV to a cut out.
SIERRA
They're probably not far behind. Let's get the hell out of here.
REED
Wait a minute! Get the hell out of here and go where?
SIERRA
(raises gun)
I don't know, but let's get the hell out of here, NOW!
REED
What are you gonna do, shoot me?
SIERRA
You are crazy. Did you notice, those guys were trying to kill you too!
REED
You want me to leave my car here?
SIERRA
(look of disbelief)
Goodbye. Thanks for the lift.
She exits the SUV, SLAMMING the door.
Reed checks his rear-view mirror. He sees a dark car coming. He reconsiders.
The car passes. Not the pursuers.
EXT. HIGHWAY
Reed exits the SUV, grabbing a soft bag from the back seat. He walks quickly to catch up.
Sierra, walking, looks down and spots something. She stops, bends over, picking up a discarded plastic cup and bag.
Reed reacts to Sierra's picking up trash.
Stuffing trash in her backpack, she resumes walking. She turns to see Reed walking behind her. She looks past him.
A colorfully painted VW bus is about to pass.
Sierra hooks her thumb out and the VW pulls over. She hides the gun behind her as she moves to the VW.
Late teens and pretty, KALLIE hangs her head out of the passenger window.
KALLIE
Where you guys headin'?
Sierra casts a glance at Reed.
SIERRA
Frisco'.
STEAMER, the driver, 20s, leans over to talk to Sierra.
STEAMER
We're goin' to Devil's Slide Beach.
Sierra reacts to the name.
STEAMER (CONT'D)
Many Frisco' dudes there. Hop in.
SIERRA
(turns to Reed)
You comin', or what?
Reed has no choice. Sierra plants herself. Reed has to climb over her to sit behind the driver. He looks over the side, and showing fear, he turns to look straight ahead. Sierra slides the door shut.
INT. VW BUS
Kallie turns around.
KALLIE
I'm Kallie... That's Steamer.
SIERRA
Hey. I'm Sierra.. That's Reed.
REED
Hey.
STEAMER
Where you dudes comin' from?
SIERRA
Just trekin'.
REED
(a beat after Sierra)
Natural Bridges.
KALLIE
We were going there today!
STEAMER
Yeah, a happenin' for Hugger McFee, but we got hung up.
KALLIE
I met Hugger once. You guys knew him?
REED
Yeah.
Sierra looks behind her. She turns back to change the subject. Reed then turns around to look back.
SIERRA
What do you guys do?
KALLIE
I'm a waitress. Steamer's in oil.
SIERRA
Oil?
STEAMER
Sunrise Petroleum.
Sierra pulls the gun from under her leg.
Reed sees her actions and shows a bewildered concern.
STEAMER (CONT'D)
I pump petro.
(looks at rear view mirror)
Dudes, are you two buggin' or what?
REED
Just had a blow-out and had to leave my wheels on the road.
SIERRA
(changing subject)
We'll be okay after we hit the beach.
Sierra wags her forefinger telling Reed not to talk.
Reed checks the rear-view mirror to see if Steamer is looking back.
Steamer catches Reed looking at him via the rear-view mirror.
STEAMER
So you're goin' to Frisco' Dude? You gonna ditch your ride?
REED
Yeah, well I've got a friend in Frisco' who'll bring me back.
EXT. DEVIL'S SLIDE SECTION OF HIGHWAY
The controversial section of highway. Cuts into unstable cliffs plunging hundreds of feet into the Pacific.
Inside the VW, Reed pulls away from the window. He avoids looking over the side of the steep cliffs.
The VW Bus grinds its way down the treacherous side road leading to Devil's Slide Beach.
The VW stops at the small kiosk near the parking entrance.
Sierra looks up to the highway several hundred feet up.
SIERRA'S POV
Several suited men standing near a dark sedan. They look down at the beach area.
INT. VW BUS
Steamer turns to look at Reed. Sierra hides the gun.
STEAMER
Dude, can I hit you up for a couple of bucks?
REED
No problemo, dude.
Reed digs into his pocket, pulls out a couple of bills. He hands them to Steamer.
Steamer pays the attendant and maneuvers into a parking spot.
Kallie pulls off her T-shirt. She's topless.
KALLIE
(turns to Sierra)
Clothing optional. Would you toss me a blanket? Why don't you guys snatch one and come hang with us.
SIERRA
Get the blanket, will you Reed? My bad shoulder.
REED
(looks at Sierra)
Right.
Averting his eyes, Reed hands a blanket to Kallie.
SIERRA
Could you point out the Frisco' crew?
Getting out of the VW, Steamer strips bare.
STEAMER
(to Sierra)
Dude, no one wears a sign here. Just ask, man.
The nude couple skips off, laughing, heading for the beach.
Sierra slides the door open. Before she backs out, she ducks back in, hearing something.
SIERRA
Hold it, Reed!
ANGLE ON A HELICOPTER
The same helicopter seen at the Natural Bridges comes sweeping in along the coast and over the 'nude beach.'
EXT. DEVIL'S SLIDE BEACH - A SHORT TIME LATER
On a blanket, Reed and Sierra lie on their stomachs, nude. They've hidden the back-pack and soft case under the blanket.
Sierra spots plastic six-pack beer holder rings in the sand. She picks the rings up and puts it into her backpack.
SIERRA
Plastic rings are bird and dolphin killers.
Reed is uncomfortable. He lifts his head, looks around, turns look up to the cliffs.
REED
Yeah, save the planet. I'm feeling a little exposed here.
SIERRA
(trace of a smile)
No shit.
REED
I'm happier with the gun out of sight.
SIERRA
(looks around and up)
If those guys come down here, I can get to it easy.
REED
How do you figure we get out of here?
SIERRA
Bum a ride.
Sierra lifts her head and looks out to the sea.
SIERRA (CONT'D)
This is too weird.
REED
Different first date, isn't it?
SIERRA
No. I mean being here.
REED
That's what I mean. Didn't we go to the beach when you visited us?
SIERRA
Yeah. You wouldn't let me play with you guys.
REED
I'm making up for it now, right?
SIERRA
The 'weird' I'm talking about, is right out there.
(head gestures)
Look at that rock.
He lifts his head.
REED'S POV OF DEVIL'S SLIDE ROCK
The rock is covered with white bird droppings.
REED
Yeah. I see.
SIERRA
Devil's Slide Rock. It was slimed three years before Exxon-Valdez, by two thousand gallons of crude from an oil barge.
REED
Looks okay now.
SIERRA
The birds are back. The oil spill killed 9,000 seabirds, including 6,000 Common Murres. The Rock was the Murres' main nesting site.
REED
How do you know all that shit?
SIERRA
I'm a biologist. I assisted my dad. The Devil's Slide oil spill started the project that killed our dads.
Open mouthed, Reed is about to ask another question. The NOISY chopper returns heading south.
ANGLE THE HELICOPTER
The chopper begins circling the beach. The bathers become pissed, shouting at the craft.
ADLIBS
PERVERTS! ASSHOLES! FUCKOFF!
They give the chopper the finger. Sierra catches the gesture and throws 'the bone.'
Reed, trying to remain unnoticed, puts his head down.
Sierra sees he's not playing the game.
SIERRA
Come on, Reed, get with the program!
He reluctantly complies.
POV THE CHOPPER
Looking down at the nude bathers on the beach.
Next to the pilot, a SHOOTER with a powerful scoped rifle. He looks at the nudes.
BACK TO THE BEACH
The chopper makes another circle and flies off.
A NUDE GUY of the couple lying nearby yells to them.
NUDE GUY
Bet we'll be on Real TV tonight!
REED
Yeah. You'll pocket the bare minimum.
NUDE GUY
(gestures to his body)
Hey, I don't got no stinkin' pockets.
The two couples laugh.
SIERRA
Where you guys from?
They respond simultaneously.
NUDE GUY
Frisco!
NUDE GIRL
Frisco!
INSERT: AN ORIGINAL NUDE 'RENOIR' PAINTING
The Renoir nude sits in a well-lit museum-like wall setting. Flanked by a second Renoir nude, is an old black and white photo of a oil derrick.
INT. ELEGANT EXECUTIVE OFFICE -- DAY
CARLTON CARTWRIGHT HARWOOD, 60s, a commanding presence in spite of his small stature. He sits in a plush chair behind his elevated desk. The office is elegantly furnished.
A pistol, like Sierra's, is on the desk in front of Harwood.
HARWOOD
(picks up pistol)
You understand my intent in giving this pistol as a Christmas gift to my relevant employees, don't you?
Seated across from Harwood at a lower level, is Science Director, DR. KRUGER, 50s. Autocratic. Severe military haircut. He's deferential with Harwood.
DR. KRUGER
I do.
HARWOOD
(gestures dangerously)
A reminder of the importance of security for the bacteria project that will save this country from our enemies.
DR. KRUGER
(watching the gun)
I understand.
HARWOOD
Good.
(puts gun on desk)
The Columbian Test?
DR. KRUGER
We're coordinating with the military.
HARWOOD
You're ready for the lab demonstration, yes?
DR. KRUGER
We still have mutation and mitosis problems, but we think we've nearly got it licked. It will be ready very shortly.
HARWOOD
Say in two hours?
DR. KRUGER
Oh. I don't think...
HARWOOD
That's right. Don't think. Do. We need that government funding. As a Director of Sunrise, you stand to make..or lose many millions. Understand?
DR. KRUGER
Yes. I understand.
HARWOOD
Good. What about security risks?
DR. KRUGER
The Keefer girl will soon cease to be a problem.
HARWOOD
Excellent. Two hours.
EXT. ENTRANCE TO SUNRISE PETROLEUM -- DAY
An official-looking limo is passed through the gate. The car drives into a large security Sunrise Petroleum complex.
The limo drives to a building with a security fence and pulls to a stop.
The sign in front of the building states: "SUNRISE PETROLEUM RESEARCH" "BIOREMEDIATION DIVISION" and a red "BIOHAZARD WARNING" sign.
SENATOR HAROLD MATSON exits the limo, followed by his AIDE.
INT. SUNRISE PETROLEUM RESEARCH LAB
The senator and aide are ushered past the security guard. They are greeted by the Research Lab Director, Dr. Kruger. Several other STAFF MEMBERS are present.
DR. KRUGER
(extends hand)
Senator Matson-- I'm pleased we could finally arrange a demonstration.
SENATOR MATSON
About time. My committee is screaming this Black Box Project's like putting money into a black hole.
DR. KRUGER
You'll understand the vital importance of Project Foil Safe shortly.
(gestures to Staff)
May I present Dr. Richards, Dr. Chin, Dr. Mori, and Dr. Ingersol.
Ingersol is a clone of Kruger. Both have military hair cuts.
EXT. SAN FRANCISCO FERRY BUILDING -- CONTINUOUS
It's bright and windy at the San Francisco Ferry Terminal. White clouds move quickly against a blue sky.
Clothes changed, Reed and Sierra pass a cyclist sitting on a bike. He watches the couple as he talks on a cell phone.
They notice the cyclist and wait for the ropes to be removed. They hop onto the ferry just before it pulls away. Sierra turns to see the cyclist still on his cell phone.
The ferry heads out into San Francisco Bay. Talking on his cell phone, Reed turns to look at Sierra.
REED
We're on our way, Kenny.. Sierra Keefer... That's right, Dr. Keefer.
(looks at Sierra again)
I'll tell her. We appreciate it.
He clicks off the cell phone.
REED (CONT'D)
Kenny remembers you. He's glad you're coming. He liked your dad.
She looks around, checking out the other passengers.
SIERRA
Yeah, Kenny's a cool guy and a strong advocate. I gave him a tour of the lab awhile ago.
Reed looks around too, not knowing who he's looking for.
REED
What goes on in the mysterious lab?
SIERRA
The Devil's Slide oil spill hit in '86. Sunrise hired my dad to create a control system for oil-eating bacteria.
INT. SUNRISE PETROLEUM RESEARCH LAB -- CONTINUOUS
WITHOUT SOUND - The display room. Dr. Kruger demonstrates the developmental progression of the oil-eating bacteria.
He holds a large glass jar with a green gelatinous mass floating on the water. The jar is labeled: "PSEUDOMONAS."
SIERRA (V.O.)
Dad used an oleophilic bacteria, a bacteria attracted by oil for its food source. He started with the Pseudomonas strain.
REED (V.O.)
The bacteria had a fictitious name?
SIERRA (V.O.)
That's actually the name, but yeah.
Moving along, Dr. Kruger points out 'before' and 'after' pictures of the Exxon-Valdez massive oil spill.
SIERRA (V.O.) (CONT'D)
Then the Exxon-Valdez oil spill.
REED (V.O.)
The bacteria was used for Exxon-Valdez?
SIERRA (V.O.)
Yeah. It worked incredibly well.
REED (V.O.)
So what's the problem?
SIERRA (V.O.)
No problem. After the success, Sunrise wanted a more virulent bacteria to work faster and bigger.
Dr. Kruger moves to a glass jar. With an eye dropper, he squeezes a drop into the relatively clear water.
SIERRA (V.O.) (CONT'D)
Dad created a hybrid he called Voracicillus, using a mutant Pseudomonas with another strain. It was too powerful and worked too well.
REED (V.O.)
How could it work too well?
Very quickly, a green mass grows around the oil drop. It enlarges to the size of a golf ball.
The bacteria's rapid consumption creates condensation on the sides of the jar. The green ball starts to spread across the surface and continues growing.
Dr. Kruger drops a plastic ruler into the center of the jar. The ruler is consumed before it hits bottom. The bubbling growing mass almost spills over the jar.
SIERRA (V.O.)
Voracicillus not only ate oil, but munched every kind of petroleum product and polymers.
EXT. SAN FRANCISCO/TIBURON FERRY -- CONTINUOUS
The Ferry pushes through the Bay. Sierra and Reed stand on the open Bridge Level Passenger Deck.
Passing Alcatraz, the catamaran leaves a twin wake as it leaves San Francisco in the distance.
Sierra drinks coffee out of a personalized ceramic cup.
Reed holds a plastic coffee cup. Sierra looks at his cup.
SIERRA
Give me your cup when you're finished.
REED
You're serious about this stuff. That why you carry a ceramic cup?
SIERRA
Damn straight.
He starts to hand the cup to her and the wind whips it away.
REED
(watches cup fly away)
You figured on using the bacteria to clean up that kinda waste.
SIERRA
That's what Dad thought. That's why he stayed involved.
REED
Why are they're trying to kill you?
SIERRA
(looks around)
It dawns on a weapons think tank, the bacteria is a hell of a weapon. Human skin is a polymer and Voracicillus eats polymers. More profitable than cleaning up oil.
REED
I see what's comin'.
SIERRA
You got it. A secret government agency takes over. In no time they're making and storing lethal weapons using the bacteria.
A seagull flies over the ferry, letting out its CRY.
SIERRA (CONT'D)
Dad's protests fell on deaf ears. He contacted your dad. In secret, they developed plans to kill or at least expose the monster.
REED
The monster that eats the world.
SIERRA
That's it.
REED
They're after you because you know too much.
SIERRA
Yeah.
As the ferry lets loose a HORN BLAST, Sierra and Reed jump.
REED
Can't you just get lost somewhere?
SIERRA
Maybe, but I'd like to finish what our dads started.
OFF REED'S REACTION
INT. RESEARCH DEMONSTRATION CHAMBER -- CONTINUOUS
RON ALTSCHULER, 50s, stands near the top of a metal ladder. He wears a rubber bio-protection suit fitted with a glass face mask, rubber gloves, and metallic oxygen pack. He wears 'coke bottle' glasses.
Also suited at the bottom of the ladder, is assistant, DAVE LANDRY, 30s, a monkish looking man.
Ron works on a releasing device mounted in the ceiling.
Held in the device, is a small bomb-like stainless steel canister with a metal nose cap.
A large viewing window allows observers to witness the tests in the demonstration chamber.
ALEX, a technician sits at a control panel.
In the chamber, using pliers, Ron makes a final adjustment.
Ron's voice FILTERS through speakers in his biosuit.
RON
Okay, Alex, tilt it to the target.
Alex tilts the device to aim directly at the target.
Below the device, is a fully equipped personnel carrier, with four LIFE-LIKE DUMMIES. They wear combat uniforms, carry weapons, and hold communication devices.
Garden plants in ceramic containers are placed around the personnel carrier.
The entrance to the chamber is a large steel bank vault-type door. The wheel-like handle spins and the door swings open.
ALEX
You have visitors, Ron.
Two biosuited MEN enter the chamber.
Surprised by their entrance, Ron looks down at them.
RON
Get the hell out of here!
MAN ONE
You're finished, aren't you, Ron?
RON
You violated the chamber. Get out!
MAN TWO
We scrubbed, Ron. We're ready for the demonstration, aren't we?
RON
We're ready for a test. I haven't gone over the checklist yet.
MAN ONE
We're going for the demonstration. The bigwigs are here now.
RON
Nobody told me.
MAN ONE
You're rated 'need to know.' Now you know. Get down and get out.
RON
We're not ready for a demonstration.
MAN ONE
I've followed your entire preparation. I say we're ready.
RON
You've done the entire checklist?
MAN ONE
Every item.
RON
I don't see how you could have, but it's your show. You bastards are nuts, you know.
Ron scrambles down the ladder. He and Dave are escorted out of the chamber.
INSERT: ELECTRICAL SOCKET OUTLET
Low on the chamber wall. A stainless steel circular cover is swung up, allowing an electric socket to be exposed.
INT. OBSERVATION BAY FOR DEMONSTRATION CHAMBER
Dr. Kruger, Senator Matson, his aide, and the staff file into the observation bay and take seats.
Alex signals to Dr. Kruger that he's ready.
SENATOR MATSON
(looks into chamber)
Those are dummies in the vehicle, aren't they?
DR. KRUGER
Those dummies represent enemy soldiers. Their skin polymers are close to duplicating human skin.
SENATOR MATSON
No way it will get loose, is there?
DR. KRUGER
No way. Okay, Alex, start the demonstration.
Alex activates the releasing device.
SIMULATED AIR ATTACK:
PILOT'S VOICE (V.O.)
CLICK: "Green Eagle, have target in sight." CLICK
DR. KRUGER
(to Senator)
The releasing device is housed inside an Amscan missile.
PILOT'S VOICE (V.O.)
CLICK: "Green Eagle, released Foil Safe missile for laydown." CLICK
INSERT: RELEASING DEVICE
The canister EXPLODES and a cloud of green mist is released.
PILOT'S VOICE (V.O.) (CONT'D)
CLICK: "BINGO!" CLICK
The mist settles on the personnel carrier and the dummies.
A greenish glow pulses and grows with intensity. A strange SIZZLING sound is heard by mikes inside the chamber.
Everything in the personnel carrier except metal parts, including the dummies, is being consumed.
ANGLE THE SENATOR
SENATOR MATSON
(awe-struck)
Oh my God!
Communication devices SIZZLE, SPARK, and EXPLODE.
Tires on the personnel carrier dissolve under the SIZZLING attack. The vehicle lowers unevenly.
The rapidly growing and glowing mass spreads, reaching out for more food.
DR. KRUGER
Isn't it phenomenal?
SENATOR MATSON
It's biological warfare! We don't do that sort of thing.
DR. KRUGER
We'll only use it if the enemy strikes first. Preemptively if they plan to use bio-warfare. Gas masks and normal biosuits are useless against this bacteria.
SENATOR MATSON
Isn't there an international agreement outlawing this stuff?
DR. KRUGER
We fall within the parameters. Look at the plants.
SENATOR'S POV
All the plants are spared.
SENATOR MATSON
It doesn't kill crops?
DR. KRUGER
Right.
SENATOR MATSON
What about humans?
The glowing SIZZLING mass continues to grow and spread.
DR. KRUGER
It's better if it's not always lethal. A dying enemy ties up doctors, medical facilities, transport, and the like.
SENATOR MATSON
Is it like flesh-eating bacteria?
DR. KRUGER
Similar, but it mainly attacks skin polymers.
SENATOR MATSON
How do you kill it?
DR. KRUGER
We genetically engineered the bacteria to have a life span of about an hour.
The Senator is alarmed by the growing, SIZZLING, glowing biomass.
SENATOR MATSON
Can you kill the bacteria instantly?
DR. KRUGER
Yes, but don't worry. It can't get out of the chamber.
The glowing biomass has reached the walls of the chamber.
CLOSE SHOT OF ELECTRICAL OUTLET SOCKET
A finger of the mass, tentaclelike seeks out the exposed electrical socket outlet. Entering the socket, the voracious biomass attacks the plastic socket base. It eats into the plastic wire covering.
Within seconds, SPARKS and smoke spews out of the socket skeleton. The bacteria eats its way along the wires.
Senator Matson and the other observers, now open mouthed, spot the anomaly at the same moment.
SENATOR MATSON
(pointing to outlet)
Is that supposed to happen?
DR. KRUGER
(into mike)
Alex, get Altschuler right now!
INT. DECON SHOWER ROOM EXIT
Still suited with helmets on, Ron and Dave exit the decontamination shower room.
A biohazard ALARM SOUNDS as they enter the Cool Down section.
Ron takes off his helmet. He picks up a RINGING phone.
RON
Altschuler. ...Was the cover open? Oh my God! Which wall socket?
(makes a note)
Call the STOP Team!
(turns to Dave)
We've got an outbreak, Dave!
DAVE
I heard.
RON
Grab the chamber electrical schematics and the DMSO canisters.
Ron puts on his helmet.
INT. ELECTRICAL/MAINTENANCE ROOM
The heavy rocker switches of the electrical panel SPARK and EXPLODE as the bacteria hits the plastic components.
More SPARKS and EXPLOSIONS spread and propel the SIZZLING biomass in all directions.
A polyethylene maintenance pail is consumed in seconds. The biomass finds a plastic runner. It leads under the door and into the hallway.
INT. RESEARCH LAB HALLWAY - ACROSS FROM OBSERVATION BAY
The empty hallway has several security cameras and monitors mounted on the wall. LIGHTS GO OUT in the observation bay.
Plastic runners cover the full length of the hallway.
RED TROUBLE LIGHTS come on in the observation bay. Dr. Kruger becomes frantic. A staff member tries unsuccessfully to open the door leading to the hallway.
INT. OBSERVATION BAY CHAMBER
Dr. Kruger anxiously talks on the phone.
DR. KRUGER
For God sakes get us out of here!
Senator Matson and his aide look on anxiously.
VOICE (V.O.)
You're safe so long as you stay in the chamber.
INT. RESEARCH LAB HALLWAY
The rapidly growing biomass finds the plastic runner in the Electrical/Maintenance Room. It eats the runner, moving under the door, breaking into the hallway.
The SIZZLING GLOWING BIOMASS moves in both directions. It consumes the plastic hall runner, advancing like a small slow tidal wave.
DOORS FLY OPEN. At one end of the hallway biosuited Ron and Dave enter with backpack aerosol canisters. They carry DMSO sprayers.
They spray the edges of the BIOMASS, the bacteria shrinking back, loosing its glow and sizzle.
At the other end of the hallway, three 'STOP TEAM' MEN enter. Each has a backpack extinguisher containing a Co2 mixture.
With a WHOOSH they FOG the advancing bacteria, freezing it into submission. They work along the hallway.
Dave sprays through the biomass, killing the bug before it enters under the door of the observation bay.
Working his way close to the door, Dave comes directly under the security camera and monitor.
The bacteria has progressed into the circuitry of the camera /monitor and EXPLODES. Shards of glass and shrapnel dig into Dave's shoulder and neck, penetrating the biosuit.
Ron spots Dave in trouble. He frantically motions to a STOP Team member to fog Dave's biosuit.
The STOP MAN works his way over to Dave whose face seen through his mask is becoming distorted with pain and fear.
STOP MAN
(fogging Dave)
Got it!
The alarmed people inside the observation bay look out to the hallway with mixed reactions. The staff members are relieved. The Senator and his aide are horrified.
INT. RESEARCH COOL DOWN ROOM -- MOMENTS LATER
Ron's helmet is off, but his biosuit is still on.
Lying on a recliner couch, Dave's protective suit and his shirt are off. He's being attended to by a MEDIC.
Dave is in shock. The skin on his shoulders, neck and the left cheek is gone. Ron leans over to speak to Dave.
RON
We'll get you to a burn ward, Dave.
Dave stares at Ron and doesn't respond.
INSERT: "HALO 2" GAME PLAYED ON MONITOR - MODE: "LEGENDARY"
a tropical island with white sandy beaches appears on screen. HUGE EXPLOSIONS appear on the screen.
GAME READ OUT
"The Covenant has been destroyed. The Flood has been wiped out. Scanning for human life forms."
INT. KENNY MORROW'S TIBURON HOME -- AFTERNOON
FORREST MORROW, 16, sits in the game/computer room. He's really into the X-Box video game, "Halo 2." He wears a techno-headset that has become an integral part of his persona.
INSERT "HALO 2" GAME - RESULTS OF SCAN - "NEGATIVE"
monitor flashes: "LAST MAN STANDING!" "YOU ARE CHAMPION!"
FORREST
(punches the air)
All right!
Kenny appears at the Game Room door.
KENNY
Forrest, we have guests.
FORREST
The personas incognito?
KENNY
Yes, the people you don't know are here. Say hello, Forrest.
FORREST
(looking at screen)
Yo.
KENNY
(to Sierra and Reed)
Would you two mind going out to the terrace? I need to talk to Forrest.
Sierra and Reed smile in acknowledgement and walk away.
KENNY (CONT'D)
I heard from Ms. David today, Forrest.
Forrest's eyes roll up to the ceiling. He adjusts his headset.
KENNY (CONT'D)
She said you hacked all the school computers onto the principal's line.
FORREST
He's got Cable and we got Dial-up. Cable's a hundred times faster.
KENNY
That cute little stunt is a federal crime. Punishable by prison.
FORREST
Big deal. I changed it back.
Kenny heaves an exasperated SIGH and shakes his head.
EXT. TIBURON BAY INLET -- AFTERNOON
TWO KAYAKERS paddling close to shore, look up and wave.
EXT. TERRACE AT THE MORROW TIBURON HOME
Kenny sits on his terrace with Sierra and Reed and waves back to the kayakers.
REED
What a great place, Kenny.
KENNY
Yeah, we love it here.
Sierra looks out into the bay.
SIERRA
Angel Island seems so close.
SIERRA'S POV OF ANGEL ISLAND
KENNY
It's a short trip by kayak.
SIERRA
You go there?
KENNY
Before half the island became a tourist trap. The other half is heavily guarded and controlled by the government.
SIERRA
I know... I...
She's interrupted by MARIO, 40s, a servant who wheels out a wine cart and hors d'oeuvre tray. He speaks to Kenny.
MARIO
Mrs. Morrow called. She's running late. Do you wish to delay dinner?
KENNY
Sure, Mario.
(to Reed and Sierra)
June works at a kid's crisis center.
Mario hands them three wine glasses, then offers wine.
MARIO
From Mr. Morrow's Winery, The House of Fermenti. The 1999 Merlot.
(shows the white)
Or the 2000 Chardonay.
KENNY
Selected as "Wines of the Year" by Vintners magazine, he modestly adds.
They select the Merlot.
KENNY (CONT'D)
True connoisseurs.
Kenny's is poured. Swirling his brandy snifter, he sticks his nose in the glass to take in the bouquet.
KENNY (CONT'D)
Absurd...
(tastes)
...but flaccid.
After her glass of wine is poured, Sierra gets up to look down over the terrace rail.
SIERRA'S POV
Kenny's boat dock has six kayaks stacked on racks.
SIERRA
How long to reach Angel Island?
KENNY
About a half hour. Want to try?
SIERRA
I'm not good at it, but I can learn.
KENNY
Oh... Dr. Keefer's daughter..
(looks to Reed)
Does Reed know about Angel Island?
SIERRA
Not yet. How do you know about it?
KENNY
Hugger.
REED
Sierra told me why she thinks Hugger and her dad are gone.
KENNY
If she said they were murdered, I believe it. That's something I wanted to talk to you about, Reed.
REED
Tough to believe.
KENNY
Power hungry and greedy men are willing to turn the world on its head for money.
EXT. SAN FRANCISCO BAY - LATE AFTERNOON
A Coast Guard Cutter pushes through the waves, approaching Angel Island.
A security fence extends from the island into the sea. Buoys marking the area nets are placed to protect the island.
INT. ANGEL ISLAND SECURITY TOWER
Two SECURITY GUARDS watch the cutter approach. One of the Guards looks down to watch a sonar screen.
2ND GUARD
Look at the sonar. I can't tell if its dolphins or seals racing ahead of the prow.
1ST GUARD
(raises binoculars)
..Seals. Just saw one break the surface.
2ND GUARD
Who's coming today?
1ST GUARD
Big government guys.
EXT. ANGEL ISLAND - GOVERNMENT PIER AND LANDING DOCKS
Moving through the security entrance, the cutter slows to a stop near the pier. Sailors tie up the ship to the pier, extending a gang ladder.
Dr. Kruger and several of his staff escort Senator Matson and his aide off the ship.
INT. METAL LINED WAREHOUSE COMPLEX
Huge doors are opened to the large warehouse.
Inside the metal warehouse are rows of racks for the Voracicillus weapons. Half the racks are filled.
Dr. Kruger and Senator Matson enter the warehouse along with the rest of the entourage.
DR. KRUGER
In a week, we'll have this warehouse filled with Voracicillus missiles.
SENATOR MATSON
I don't know. After the lab disaster, it may be difficult to recommend further funding.
Dr. Kruger gestures to an office.
DR. KRUGER
Step into this office and I'll change your mind.
The skeptical Senator follows Dr. Kruger into the office.
INT. OFFICE
DR. KRUGER
This is classified top secret, but as Chairman, you have a need to know.
SENATOR MATSON
That's the thing. We know so little about this project.
DR. KRUGER
Some years back, we helped several Middle Eastern nations, by giving them Voracicillus bacteria.
SENATOR MATSON
How far along are they?
DR. KRUGER
Intelligence says they're pretty far along. That's why we need a preemptive strike capability.
SENATOR MATSON
How could they deliver the bacteria?
DR. KRUGER
Probably suitcase or container ships. We now have the ability to 'spot kill' enemy oil reserves and communication centers.
SENATOR MATSON
Why two billion more?
DR. KRUGER
The President wants this project on Fast Track. Fund us and we'll deliver Voracicillus anywhere in the world. Nobody will be able to touch us.
OFF THE SENATOR'S TROUBLED REACTION
EXT. TIBURON BAY INLET -- SUNSET
Kenny and Reed paddle in 'sit-inside' kayaks. They are tailed by Sierra and Forrest in a 'sit-on-top' tandem kayak.
Sierra mimics Forrest's deft paddle strokes.
SIERRA
I'm getting it.
KENNY
(looking back)
Like riding a bike.
SIERRA
(looking out)
Somehow, Angel Island doesn't look so close anymore.
REED
Different perspective on the water.
KENNY
Closer tomorrow. Let's go back.
INT. UC SAN FRANCISCO MEDICAL CENTER - BURN WARD -- EVENING
Dave lies in a hospital bed. His burned skin is bandaged.
Ron sits next to the hospital bed, cleaning his thick glasses.
RON
Doctor said you're going to make it.
DAVE
(difficult to speak)
...I don't know. I don't know, Ron.
RON
I feel terrible, Dave.
DAVE
...not your fault.
Ron puts his glasses back on adjusting them to his face.
RON
I'm thinking of quitting.
DAVE
Don't. You're the only sane one left.
RON
Those nuts treat Voracicillus like it's bullets or bombs. It's alive and deadly, with all the uncertainties of faulty genetic engineering..
DAVE
...that's why you have to stay, Ron. ..kill it before it kills all of us.
INSERT: PICTURE OF SIERRA IN A LAB COAT, PINNED TO CORK BOARD
pinned next to Sierra's picture, is a telephoto shot of Reed taken at the Natural Bridges.
From O.S., a knife is thrown with force, SLICING into Sierra's picture, sticking into her forehead.
INT. OFFICE -- NIGHT
Clausen, the man looking for Sierra at the Natural Bridges, is in the office with two assassins, CURT and SPANGER.
Curt rests the knife on his left hand, his thumb and forefinger missing, gripping the weapon with his right hand.
CURT
How come you can't find them?
Curt throws the knife, SLAMMING it into Reed's head.
CLAUSEN
They're somewhere in the San Francisco area. We'll find them.
Spanger has had a larynxectomy. He wears a portable oxygen tank, with plastic tubes running into his nose.
SPANGER
(raspy voice)
She's probably changed her hair color.
Curt throws a third knife. It THUDS into Sierra's picture on the cork board right next to the first knife.
INT. JUNE MORROW'S DRESSING ROOM -- NIGHT
CLOSE SHOT SIERRA LOOKING IN MIRROR
Sierra adjusts a long blond wig as she looks at the mirror. She puts sunglasses on and looks at the effect.
SIERRA
This one says "Look at me."
JUNE (O.S.)
You're right. Try this one.
JUNE MORROW, a pleasant looking woman, 40s, hands Sierra a short dark wig.
Taking off the blond wig and handing it to June, Sierra takes the alternate wig and puts it on.
JUNE (CONT'D)
That's better. Put the sunglasses on and 'voila,' I don't know you.
SIERRA
Who is this person in the mirror?
JUNE
At times Kenny really likes his privacy. Take in a show or restaurant. There's a dozen more wigs to choose from.
SIERRA
Maybe a short unnoticeable one.
JUNE
You've come to the right place.
CLOSE SHOT OF A MAN'S FAKE BEARD
The beard is being put on Reed.
KENNY
C.I.A. if I've ever seen it.
REED
I think you mean C.P.A.
KENNY
(pats Reed's cheeks)
Your dad was really proud of you.
REED
Never told me.
KENNY
Know what he said when he found out you were the whistle blower on Citron?
REED
No.
KENNY
"That's my boy, he's got my genes."
Reed allows a small smile.
KENNY (CONT'D)
Which reminds me. I have a bookshelf devoted to Hugger's writings. And a family album he wanted me to give you if the time came. It came.
REED
I'd like to see it.
KENNY
Hugger was lost in his great passion to protect the environment. It cost him your relationship and his life.
REED
How could he be murdered like that? Then how could it be covered up?
KENNY
Oil. Or what oil turns into. Money.
Reed looks saddened.
KENNY (CONT'D)
Reed, I know your dad would be very proud you're helping Sierra.
REED
Killer bacteria is not my expertise. But, I'd like to find the sons of bitches who killed Hugger.
KENNY
Sierra's smart. She knows all the dark secrets. You could expose the killer bacteria, avenge your dad, and benefit this country and mankind.
INT. SUNRISE PETROLEUM BACTERIA PRODUCTION LAB -- NIGHT
CLOSE SHOT OF GREEN GLOWING BACTERIA IN PETRI DISH
Ten twenty-ton fermentation vats tower three stories up.
A dozen biosuited MEN, work automatic arms reaching into a bacteria harvesting bio-chamber. They skim the green glowing lethal bugs into a freeze dry chamber.
The bacteria Petri dishes are on a rotating daisywheel.
The lab door opens and in his biosuit, Ron enters. He moves to stand behind the last man on the line.
RON
Dr. Ingersol..?
Dr. Ingersol stops his work and turns to Ron.
DR. INGERSOL
Ahh.. Dr. Altschuler. How's Dave?
RON
Fifty-fifty chance of surviving. What's going on Ingersol? The line was supposed to be shut down.
Dr. Ingersol stands up and directly faces Ron, mask to mask.
DR. INGERSOL
Your thinking is screwed, Altschuler. We're under a National Emergency to proceed full steam ahead.
RON
It's nuts! The mitosis problem, the real possibility you can't control the bad bug, you're still going ahead?
DR. INGERSOL
Apparently you have no clue how vital this project is to our national defense and security.
RON
My God, Ingersol. You saw firsthand what happens if that bug gets loose.
DR. INGERSOL
And you know what Saddam did to his own people with chemicals and bugs.
RON
You know who gave it to Saddam.
Dr. Ingersol gestures to the bacteria-filled Petri dishes inside the chamber.
DR. INGERSOL
We don't know how close those two countries are to turning that bug loose on us.
CLOSE SHOT OF GREEN GLOWING, PULSING BACTERIA
EXT. GIFT SHOP STORE FRONT WINDOW DISPLAY -- NIGHT
CLOSE SHOT ON LAVA LAMP
The Lava Lamp bubbles in a Tiburon Gift Shop window as Sierra and Reed, now in disguises, watch.
SIERRA
My dad signed on to help clean up the environment.
REED
That's when he and Hugger met.
SIERRA
Right.
(nods sadly)
The government took over Voracicillus. It was declared a top secret weapon.
REED
Your dad objected.
SIERRA
You bet. They questioned his patriotism and threatened to transfer us to another lab.
REED
That's when he asked Hugger to help expose the bug?
SIERRA
Not until they pushed the envelope and the bug went really bad. They figured they'd solve the problems later and started weapon production.
REED
How did our dad's expect to stop them? Go to the New York Times?
Another COUPLE walks by. Reed takes Sierra's arm.
REED (CONT'D)
Let's walk.
They walk in the opposite direction of the passing couple.
SIERRA
Dad knew he needed data on the bad bug. He asked Hugger to think who'd be best to go with the story. Dad was to get the proof.
(painful memory)
He said, "call me at ten. If I don't answer, get the hell out of your apartment and get lost."
(sadly looks at Reed)
I did.
Reed protectively puts his arm around her shoulder.
INT. RESEARCH COOL DOWN ROOM -- NIGHT
Inside the Cool Down Room, Dr. Ingersol, helmet off, picks up a phone, punching a few numbers.
DR. INGERSOL
Dr. Kruger, you'd better make another security assessment on Altschuler.
(pause)
I'll pull Keefer's file. We're close to solving the mitosis problem.
INT. MORROW FAMILY ROOM -- NIGHT
The large family room has a glass-covered fireplace burning.
Sierra and Reed sit on a over-stuffed couch, facing the fire.
Forrest comes out of the game room after shutting down his Halo 2 game. He pauses at the entrance.
FORREST
I don't know you dudes, but I'll catch you maÒana.
Reed and Sierra turn around.
REED
We don't know you either, Forrest. Tomorrow, man.
Sierra smiles at Forrest and turns back to the fire.
SIERRA
Is your cell phone charged, Reed? I know they're monitoring mine.
He hands her his cell phone. She punches out a number.
Reed gets up, goes to the bookshelf, retrieves Hugger's album, and returns to the couch.
SIERRA (CONT'D)
Amy? It's Bugsy.
INT. AMY'S APARTMENT -- CONTINUOUS
AMY LEE, 20s, is on her sofa talking excitedly on the phone.
AMY
Oh my God. Are you okay?
CROSS CUT WITH SIERRA
SIERRA
I'm all right.
AMY
I thought after your dad...
SIERRA
(cuts Amy off)
I took a little vacation. Miss me?
AMY
Yeah.
(catching on)
Somebody asks about you every day.
SIERRA
That's nice. What's new?
AMY
My new boss started. Oh.. and Dave's in the hospital with his bad rash.
SIERRA
How awful. Which hospital?
AMY
The one where they treat his problem.
SIERRA
Gotta go. I'll be in touch.
AMY
Take care yourself, Bugsy.
BACK TO MORROW FAMILY ROOM
SIERRA
Friend at Sunrise. They're still looking for me.
(returns cell phone)
Thanks, Reed.
REED
Anytime, Bugsy.
SIERRA
Okay, Sumi.
Reed smiles and hands the open album to Sierra.
REED
Speak of the devil.
Sierra look at the album and breaks into a big memory smile.
SIERRA
Sumi, Sage, and the pesty kid.
INT. SUNRISE PETROLEUM FILE ROOM -- CONTINUOUS
Dr. Ingersol has just retrieved a file folder marked: "VORACICILLUS - KEEFER"
He sits at 'AMY LEE'S' reception desk to look the file over. He glances at a small stand-up picture frame on the desk.
DR. INGERSOL'S POV
picture of Sierra and Amy sitting at a night club table.
INT. MORROW FAMILY ROOM -- MORNING
Sierra and Reed asleep on the couch. He has his arm around her shoulder.
The SOUND of the "Halo 2" game causes Reed to open his eyes. He looks at Sierra.
REED
Morning, Bugsy.
Sierra's eyes flutter open.
SIERRA
Hmmm?
(sits up and yawns)
I must have fallen asleep.
REED
That'd be my guess.
The "Halo 2" game sounds stop.
Forrest stands at the doorway of the family room.
FORREST
I'm outta here. Time to hit the books. I have no clue whatsoever who you dudes are. Later.
REED
Stay cool, dude who we've never seen before either.
Forrest gives a sharp double 'thumbs up' and leaves.
CLOSE SHOT OF A WHIRRING BLENDER
INT. MORROW KITCHEN
The blender WHIRS as it spins a green pureed mixture.
Kenny turns the blender off. He lifts the glass container, pouring the green mixture into juice glasses.
KENNY
Kiwi drink. Lots of good stuff.
Sierra watches the green stuff and makes a face.
SIERRA
I'll stick to orange juice, thanks.
KENNY
Reminds you of the bug, huh?
Kenny moves to the refrigerator and gets out orange juice.
KENNY (CONT'D)
Okay, here's what's going down. I've got an HBO Special in New York. June and I will be gone a few days.
REED
You want us to clear out?
KENNY
I want you to stay. Use the guest house, or you can have the run of the house. Whatever you want.
He pours a glass of orange juice and gives it to Sierra.
REED
I'd like to stick around and help Sierra expose those bastards.
KENNY
Good. I'd like that too.
REED
We'll take our best shot.
KENNY
You have a gun?
REED
Sierra is armed and dangerous.
Sierra reacts with a wry smile.
KENNY
Okay. Mario is here for Forrest and he'll take care of anything you need.
He walks to the counter and picks up a set of car keys.
KENNY (CONT'D)
I have four hybrid Prius cars. These keys are for the white one. It's yours for as long as you want.
He gives Sierra the keys.
REED
God, Kenny, that's great.
KENNY
Hey, I expect something in return.
SIERRA
What?
KENNY
I've done nothing but pro bono work for all my good causes. If you have a real life caper going on, I want to be in on it. Deal?
SIERRA
You've been great, Kenny. We shouldn't put you in danger.
KENNY
Danger? "Danger is My Middle Name." That was my third caper flick. I want real life, real time stuff. Nothing on the cutting room floor.
Sierra looks to Reed, who smiles.
EXT. GOLDEN GATE BRIDGE - TOLL BOOTHS -- DAY
Sierra, in her 'plain Jane' disguise drives the hybrid car.
She stops at the toll booth and hands the Attendant five dollars. Reed also wears his new disguise.
The hybrid car moves on to the Golden Gate Bridge.
INT. UC SAN FRANCISCO MEDICAL CENTER - BURN WARD -- DAY
Ron sits at Dave's bedside. Awake, Dave is hooked up to an I.V. and looking uncomfortable.
DAVE
After what happened, how could they still be in production?
RON
It's crazy.
DAVE
They solve the mitosis problem?
RON
I don't think so. Ingersol told me to go home. They'll call me when they need me.
DAVE
Looks like you're getting shut out.
RON
You know you have a security guard at your door?
DAVE
They didn't want snoopy reporters talking to me.
EXT. FRONT OF THE UC SAN FRANCISCO MEDICAL CENTER
Sierra and Reed exit the car. Reed looks out to the bay.
REED
What a view.
REED'S POV
The breathtaking San Francisco Bay view. The Golden Gate Bridge on the left. Alcatraz on the right. Angel Island in the middle, but further off in the bay.
SIERRA
And Angel Island, a ticking time bomb, sits quietly in the Bay.
Reed looks at Angel Island. He watches as a ferry boat makes it way to the tourist side of the island.
REED
Looks innocent enough from here.
SIERRA
I want to see Dave.
They turn and walk toward the hospital entrance. Sierra stiffens and grabs Reed's arm. Reed looks at her.
REED
What is it?
SIERRA
The man lighting up near the entrance is one of the guys chasing us.
REED
We've got disguises, remember?
SIERRA
If they don't work?
REED
We run like hell.
SIERRA
That's reassuring.
REED
I'm a problem solver.
Reed takes Sierra around the shoulder, pulling her close in a comforting manner.
At the entrance, Clausen has problems with his lighter. As he lifts his arms, his shoulder holster gun can be seen.
As the couple passes Clausen, Sierra feigns SOBBING and rests her head on Reed's shoulder. Clausen watches Reed and Sierra. He looks as if he going to confront them. He doesn't.
REED (CONT'D)
Dad's going to be alright, Honey.
Sierra continues her light sobbing on Reed's shoulder.
SIERRA
(through the door)
It worked.
REED
Oscar time.
INT. UC SAN FRANCISCO MEDICAL CENTER - BURN WARD
Ron is winding up his visit with Dave and adjusts his glasses.
RON
I can see you're getting tired. I'm glad I could see you.
A NURSE walks into the room.
NURSE
Time for pain medication Mr. Landry. You want the drip or a shot.
DAVE
Shoot me. Come back anytime, Bugeye. You make me feel better.
RON
Okay. Goodbye 'ol bugger.
Ron stands, nods to the Nurse and exits, casting a look at the Security Guard posted at Dave's door.
The Nurse moves to give Dave his shot.
NURSE
Monitors finally off. It looks like you're really improving, Mr. Landry.
DAVE
Tell my body that, will ya.
INT. HOSPITAL CORRIDOR
Ron walks down the corridor, deep in thought, showing concern.
SIERRA (O.S.)
Ron?
Startled, Ron stops and steps back. He recovers and looks at the disguised Sierra.
RON
Yes.
Sierra looks around to see if anyone else is in earshot.
SIERRA
It's Sierra.
RON
My God! Are you all right?
SIERRA
They're after us, Ron. I came here hoping to see Dave and find out what happened.
She turns to point out Reed who stands a few feet away.
SIERRA (CONT'D)
Ron, this is my friend Reed McFee. Hugger McFee's son.
RON
(looks at Reed)
Hi. I admired your father.
Reed nods a hello and steps up to shake Ron's hand.
RON (CONT'D)
You two together?
REED
We're together to do a job.
SIERRA
We want to find out why our dads died within two days of each other.
RON
I wondered about that, Sierra.
SIERRA
I have a hunch you know why they were murdered, don't you?
Ron looks around before answering Sierra.
RON
I do.
SIERRA
Can I see Dave?
RON
No. There's a guard at his room.
SIERRA
There's also a bad guy at the entrance. Are they shipping big time to the Island?
RON
Looks like it.
SIERRA
Is Dave going to make it, Ron?
RON
I don't know. I sure hope so.
ALTERED ANGLE
A Doctor with a stethoscope hanging around his neck pushes an equipment cart. He's coming toward Ron, Sierra, and Reed.
The doctor glances at them. The young couple has their backs to the medical man. The doctor nods to Ron.
The doctor moves closer. Curt, the 'cut out' man with missing fingers, becomes recognizable in the medical attire.
Passing them, Curt turns around to look at Sierra and Reed.
REED
(spotting Curt's look)
I think we should leave.
RON
Right.
They start walking down the hallway.
INT. UC SAN FRANCISCO MEDICAL CENTER - BURN WARD HALLWAY
Dave's guard is standing in the hallway. He watches a ball game seen through the window of the Visitor's Lounge.
Curt pushes the scanning equipment cart toward Dave's room.
The Security Guard acknowledges the faux doctor with a nod.
Curt pushes the cart into Dave's room and closes the door.
Dave is sleeping.
INT. UC MEDICAL CENTER FOYER
Ron, Sierra, and Reed arrive at the foyer near the entrance.
Sierra is shaken by what she sees.
SIERRA'S POV
A cigarette dangling from his lips, Clausen scans the entrances and exits.
SIERRA
Here we go again.
REED
Warm up your sad sob, Sierra.
Reed digs into his pocket to give Ron his card.
REED (CONT'D)
Call on my cell and we'll figure how to get together.
INT. DAVE'S HOSPITAL ROOM
The wall-mounted TV is on with the sound at low volume.
Dave is still asleep.
Curt picks up an oval stainless steel case from the equipment cart and opens it.
Inside is a metallic syringe, the needle has a metal sheath.
INT. UC MEDICAL CENTER FOYER
Again, Reed puts his arm around Sierra's shoulder and they head for the hospital exit.
INT. DAVE'S HOSPITAL ROOM
Taking the syringe from the case, Curt very carefully removes the metal sheath from the needle.
CURT
(deadly whisper)
Sorry to bug you, 'ol buddy.
EXT. HOSPITAL FRONT ENTRANCE
Ron leads the way out as Reed and Sierra follow.
Clausen spots them and moves toward them with a determined look on his face.
INT. DAVE'S HOSPITAL ROOM
A vent on the I.V. tube allows for an emergency injection. The vent cap is lifted by Curt.
Curt presses the plunger into the vent.
EXT. HOSPITAL FRONT ENTRANCE
Clausen puts himself in the path of the trio. They stop.
CLAUSEN
Got a light?
Sierra SOBS and buries her face into Reed's shoulder.
REED
(nods to his cigarette)
Her father just died from lung cancer.
Clausen gives them a curious look as the three move on.
INT. DAVE'S HOSPITAL ROOM
A green glowing substance flows through the tube, SIZZLING and consuming plastic. Bacteria enters Dave's bloodstream and spreads across his skin.
The deadly bacteria hits his aorta. Shock makes Dave's eyes snap open!
INSERT TV MONITOR ON HOSPITAL WALL
playing an HBO promo of Kenny Morrow's Special. Kenny mimes swimming/walking in slow motion.
KENNY
(as if in drug trance)
"You want me out of the pool to go to a stinkin' hospital, Officer?"
AUDIENCE LAUGHTER
EXT. FRONT PARKING LOT
Sierra sobs as she's helped into the hybrid. Reed gets in the car, starts it, waves goodbye to Ron.
Clausen looks suspiciously after them.
INT. DAVE'S HOSPITAL ROOM
The bacteria BUBBLES and SIZZLES as it hits skin. It flows into veins, making the course of the pathogen easy to follow.
Bulging up the carotid artery and spreading to unaffected skin areas, the green glowing bacterium consumes Dave's body.
Dave expires.
CURT
You won't be bugged again, 'ol buddy.
INT. SUNRISE PETROLEUM BACTERIA PRODUCTION LAB -- NIGHT
Biosuited Dr. Ingersol stands near the end of the bacteria harvesting production line, observing.
A loudspeaker comes on in the Production Lab.
LOUDSPEAKER (V.O.)
Dr. Ingersol, proceed to the Test Lab immediately.
CLOSE SHOT OF GREEN GLOWING, PULSING BACTERIA IN TEST CHAMBER
The testing chamber window is aglow with the activated bacteria. Voracicillus is in a green, glowing feeding frenzy.
INT. TEST LAB
Small testing chambers display the glowing active bacteria.
The Lab TEST DIRECTOR, talks with the helmeted Dr. Ingersol.
DIRECTOR
Most of the first and the current production runs continue to have the mutant mitosis problem.
DR. INGERSOL
Forty thousand bad units, with most of them on the island?
DIRECTOR
Yes. The worst news is these strains have not been fed for almost an hour.
DR. INGERSOL
What are you saying?
DIRECTOR
The bugs are metastasizing by cannibalizing their own biomass. They're virtually using perpetual regeneration.
Dr. Ingersol looks more closely into a chamber. He watches the throbbing green glowing bacteria.
DR. INGERSOL
It's impossible!
DIRECTOR
It's happening.
DR. INGERSOL
We're not junking half a billion worth of weapons. Keep shipping.
The Director looks into a test chamber with active bacteria.
DIRECTOR
This sure as hell changes the operating specs and controls.
DR. INGERSOL
Maybe we need to revisit the original Keefer Strain for future runs.
He bends over to look at the glowing biomass.
INSERT: "HALO 2" GAME ON MONITOR
Halo 2 visuals and SOUNDS, ending with a victory SOUND and screen announcement: "LAST MAN STANDING - NEW CHAMPION!"
INT. MORROW GAME AND COMPUTER ROOM -- CONTINUOUS
Forrest at the computer, raises his hand and slaps a 'high five' with Sierra sitting in a chair next to him.
SIERRA
A champion every time.
FORREST
No problem.
Reed is at another computer, near Forrest and Sierra.
REED
Forrest, your dad said your aka is the 'Happening Hacker.'
FORREST
That's what Hugger called me.
Reed looks thoughtful.
SIERRA
Can you hack into Sunrise Petroleum Research?
FORREST
No doubt.
As he deftly inputs, Forrest talks to Reed.
FORREST (CONT'D)
Dad says you're the 'Snitch Patrol.'
Reed brings up "SUNRISE PETROLEUM - FINANCIAL" on his screen.
REED
That was my last job. I'm a Forensic Accountant.
FORREST
You check out dead issues?
Sierra LAUGHS.
REED
More like sick books.
FORREST
The naughty nasty, huh?
SIERRA
Like financial stuff.
(points to screen)
Hey, the Happening Hacker is in. Sunrise Research. Let me take over Forrest, but stay with me, okay?
FORREST
You got it.
She inputs a word and hits "Return" and waits.
Reed reacts to something on his screen. He looks up.
REED
This is very familiar stuff. 283 Offshore Partnerships. Government contracts. Future profits.
SIERRA
Are they in financial trouble?
REED
Tough to tell not seeing the books.
SIERRA
(looks at screen)
Data Not Available. Can this 'hack' be traced back to us, Forrest?
FORREST
Not! I doubled back to their website. It's like someone at Sunrise checking out the info.
SIERRA
Let's try..
(inputs)
Dr. Phillip Keefer.
(hits "Return")
Data Not Available.
FORREST
Let the master take a shot.
Sierra slides over in her chair as Forrest works the keyboard. He punches at the keys and hits "Return."
INSERT MONITOR
"WARNING - NO ENTRY"
Forrest lifts both hands in exasperation.
FORREST (CONT'D)
No entry.
EXT. SAN FRANCISCO BAY LOADING DOCK
A truck cab has just detached from a large container trailer. The trailer has SUNRISE PETROLEUM painted on the side.
An open barge already has two Sunrise Petroleum trailers loaded and is ready to take on the third.
EXT. FERRY TERMINAL LANDING -- DAY
A sign on post piles at the Tiburon Ferry Terminal Landing: "WARNING - FERRY BOAT LANDING"
Reed leads the way past the Tiburon Ferry Terminal in his kayak. Sierra paddles in her single seat kayak, just a few yards behind. They're wearing different disguises.
REED
Let me know when you feel tired, Sierra. We'll turn back.
SIERRA
I'm fine.
Sierra is stroking with more ease. She looks around at the dark waters as they move further into the bay.
SIERRA (CONT'D)
Are there sharks in these waters?
Reed turns around smiling, continuing to paddle.
REED
Tiburon means shark in Espanol.
SIERRA
Oh my God.
REED
Try not to look like a seal and you'll be okay.
Not funny to her, Sierra looks worried as she paddles.
INT. TEST LAB -- CONTINUOUS
Biosuited Dr. Mori, one of Dr. Kruger's staff, looks into an active test chamber. He looks concerned.
Inside the chamber, Voracicillus is GLOWING and GROWING.
BACK TO THE KAYAKS
Reed and Sierra are a half mile away from the entrance of the government side of Angel Island.
There are WARNING BUOYS a short distance away. The markers represent government territory.
REED
I think this is as close as we should go. That facility is humongous.
SIERRA
They're preparing to store a hundred thousand bacterial weapons. Enough to wipe out a dozen countries.
Reed looks out to sea and spots something.
REED
Coast Guard Cutter heading this way. Let's go back.
Leading the turn around, Reed paddles with powerful strokes.
REED (CONT'D)
That stuff can snuff out countries?
Sierra starts paddling harder.
SIERRA
Dad worried a chain reaction might wipe out entire hemispheres.
REED
How do you stop something that big?
SIERRA
I don't know. At least we can get the story to the media.
INT. BRIDGE OF COAST GUARD CUTTER
Using binoculars, the CAPTAIN speaks to his LIEUTENANT.
CAPTAIN
What do you think those assholes are doing out there?
LIEUTENANT
(raises binoculars)
Looks like they're getting away from there now.
CAPTAIN
We better teach them a lesson.
(to helmsman)
Full speed ahead.
The powerful engines ROAR. The ship knifes through the choppy waves heading toward Reed and Sierra.
BACK TO THE KAYAKS
Reed and Sierra are paddling hard as he looks at the Cutter.
REED
They spotted us for sure. Just keep stroking hard.
SIERRA
What are they going to do?
REED
They're not going to board us.
SIERRA
Funny.
REED
And they're not slowing down.
Looming larger, the Cutter bears down on the two small boats.
SIERRA
They're going to run us over!
Just short of the kayaks, the Cutter makes an abrupt turn creating a huge wake.
REED
(yells)
Sierra, turn straight into the wake!
He digs with his paddle so the kayak faces the large wave.
REED (CONT'D)
Do what I'm doing!
Sierra starts digging with her paddle.
SIERRA
Oh my God.
Both prows face front as the large wave hits the tiny boats.
The kayaks rise with the large swell. They plummet down into the trough. The kayaks survive the smaller waves.
The Cutter moves off on patrol. Reed and Sierra catch their breath and recover.
REED
Congratulations. You're no longer a virgin.
SIERRA
You wish.
EXT. SHOOTING RANGE -- NORTHERN CALIFORNIA
The killer Curt, lies prone on the ground aiming a powerful rifle. He spots his target through a mounted scope.
He FIRES and smiles.
CLOSE SHOT - HEAD SHOT OF SIERRA PINNED TO A POST
The shot was from a hundred yards. It hits Sierra's picture in the middle of the forehead.
CURT
When will your lousy investigators find her so I can get my shot.
CLAUSEN
She used a card in the Santa Cruz area, Curt. She'll slip up again. We'll find her.
CURT
What about McFee?
CLAUSEN
I got a hunch they're together.
EXT. TIBURON BAY INLET
Reed and Sierra are close to the Morrow's dock. She's using her paddle in an auto motion and looks exhausted.
REED
Almost there, Sierra. What a trip.
SIERRA
Yeah, a blast.
Reed's cell phone RINGS. He's startled and puts his paddle across the gunnels. He pulls the phone out of his jacket.
REED
Must be Kenny.
(places phone to head)
Yeah.
(pauses)
Oh yeah, Ron. What's up? ...Oh no.
(looks to Sierra)
Dave is dead. The bacteria got him.
Sierra is shaken.
A FLASH OF LIGHT FOLLOWED BY A LOUD EXPLOSION
INT. A-10 WARTHOG COCKPIT
Flying at low altitude, the "Warthog" PILOT looks at his head-up display. He WHISTLES as he talks into internal mike.
PILOT
The Daisy Cutter wiped out access to the compound. The big guys were right on target.
The plane's large monitor displays a Columbian Guerrilla mountain compound surrounded by jungle. A huge swath of cleared jungle defines the damage of the Daisy Cutter.
PILOT (CONT'D)
I'm executing my 'go round.' I'll go to five-thousand before release.
EXT. ANTIOQUIA PROVENCE - GUERRILLA COMPOUND
Dozens of GUERRILLA SOLDIERS run out of make-shift barracks and communication stations. They look to the sky, then in awe at the damage from the huge Daisy Cutter bomb.
Several GUERRILLAS hear the drone of the A-10 Warthog and one yells out instructions.
GUERRILLA
Vaya por El Stinger!
A Soldier scurries to a nearby shed.
INT. A-10 WARTHOG COCKPIT
Watching the head-up display, the Pilot presses a button.
PILOT
Missiles away. Laydown in 9 seconds.
UNDERCARRIAGE OF A-10 WARTHOG IN FLIGHT
Two Voracicillus X Weapon Systems are launched simultaneously. The rockets FIRE, propelling the missiles to their target.
EXT. ANTIOQUIA PROVENCE - GUERRILLA COMPOUND
The Soldier, armed with a Stinger missile, looks up for the A-10. Instead he sees two rockets, spaced apart by 200 feet, gently EXPLODING a hundred feet above the compound.
SOLDIER
(realization)
Chemical!
The green mist descends on the Compound.
The Guerrillas realize the form of the attack. They run to find shelter.
An array of communication dishes on the rooftop, are attacked by Voracicillus X. The bacteria eats the composite materials.
Voracicillus finds the electrical wiring. The biomass descends into the various structures.
Communication equipment SPARK with minor EXPLOSIONS. The bacteria finds the petroleum and polymer based targets.
The Guerrillas are baffled by the SIZZLING SOUND and the strange attack. They don't know what action to take.
SOLDIER (CONT'D)
El Diablo!
A small electrical EXPLOSION sends particles of the bacteria on to the Soldier's clothing and skin. Voracicillus-X starts consuming the food source immediately. The poor victim runs out of the structure SCREAMING.
The bacteria has found its way to a POWER LINE leading out of the compound.
Fuse-like and unstoppable, Voracicillus X SIZZLES along the power line into the jungle.
EXT. COCAINE FARM IN JUNGLE CLEARING
The Cocaine Farm is in a cleared out section of the jungle.
Several INDIANS carry plastic drying trays filled with cocoa leaves for drying on wooden racks.
An Indian WOMAN, removes a tray of dried leaves, carrying it to a different open shack for processing.
She smiles as she passes her small CHILD playing. The child is in an empty plastic processing tray.
ALTERED ANGLE
SIZZLING and SPARKING along the power line, Voracicillus X takes a downward path along a power pole.
INT. COCAINE PROCESSING SHACK
Bacteria SIZZLES and SPARKS its way to a small portable transformer. Small EXPLOSIONS spew bacteria over plastic tubs and trays.
Voracicillus X consumes the plastic receptacles. It jumps from one shelf to the next, spilling over to the ground.
Quickly consuming trays and tubs on the ground, the bacteria makes its way toward the small child.
The mother snatches the child from the tub and runs.
INT. ELEGANT EXECUTIVE OFFICE -- DAY
Harwood, President of Sunrise Petroleum, sits behind his elevated desk.
He's watching the "Kenny Morrow Special" on a large TV.
He looks away from the screen as Dr. Kruger enters the office. He mutes the sound.
HARWOOD
I trust you have good news, yes?
Kruger throws blown up satellite pictures on Harwood's desk.
DR. KRUGER
Yes. The satellite survey of the Colombian project.
HARWOOD
Very good.
DR. KRUGER
The combined effort of our military and Colombian authorities worked perfectly.. but there is a problem.
Harwood glances down at the satellite photographs.
INSERT SATELLITE PHOTO
The photo shows the high altitude view of the Guerrilla Compound, with the huge scar left by the Daisy Cutter. Several bodies are sprawled around the encampment.
HARWOOD
(refers to top photo)
The bodies there. They die from Voracicillus?
DR. KRUGER
That appears to be the problem, Mr. Harwood. The deployed weapons were our latest strain of bacteria. Apparently mutant and very virulent.
HARWOOD
Killed 'em, huh? Que sera, sera. It's the last batches of bacteria that's gone bad, right?
DR. KRUGER
Yes, I think so. That may include sixty or seventy thousand units. And we haven't solved the problem.
HARWOOD
Sell those units to our Allies when we determine who our Allies are.
DR. KRUGER
The bad units?
HARWOOD
You expect us to eat them? They'll probably never be used anyway.
Dr. Kruger doesn't respond. Harwood changes the subject.
HARWOOD (CONT'D)
(nods to the screen)
Tell, me Kruger, what do you think of that comedian, Kenny Morrow?
DR. KRUGER
I wouldn't know. I never watch him.
HARWOOD
Do you think he has a big following?
DR. KRUGER
I understand young people like him and probably the Underground.
HARWOOD
Maybe we should put him under ground.
POP OF A CHAMPAGNE BOTTLE BEING OPENED
INT. WINE CELLAR
The dimly lit Morrow Winery cellar is lined with oak casks. A single naked bulb hangs over a rough hewn table and benches.
Seated at the table are Kenny, Ron, and the newly disguised Sierra and Reed. Kenny has just opened a bottle of champagne and speaks in his phony French accent.
KENNY
Not from Chateau Fermenti, but merde, viva la difference. To the Brotherhood..
(pours Reed and Ron)
The Sisterhood..
(pours Sierra's)
And all the other hoods who will save Tiburon, the state, the country and the Earth.
He raises his glass.
KENNY (CONT'D)
Salute.
Sierra and Reed raise their glasses, Ron does not.
KENNY (CONT'D)
(drops the accent)
Now we get down to business. I can get the story to the New York Times or the Washington Post, but not without proof.
RON
I'm persona non grata at Sunrise.
(takes his glasses off to clean them)
Sierra, I think I can help you get in, but I can't be there myself.
REED
Know what to look for Sierra?
SIERRA
Sure, but they may have shredded or hidden the papers.
REED
I'm expert at finding papers. I was fired because I found papers.
KENNY
(raises his glass)
I'll drink to that. A day without my wine, is a day without profit.
RON
This whole thing isn't funny to me, Kenny.
KENNY
Sorry, Ron. Nervous reaction.
RON
Getting into Sunrise will be tough enough Sierra, and very dangerous.
SIERRA
Tell me about it.
CLOSE SHOT - THE MOVING NOSE OF A VORACICILLUS X WEAPON
EXT. OPEN DOOR OF ASSEMBLY PLANT -- DAY
A Voracicillus weapon is wheeled out on a bomb carrier. It is pulled by a biosuited worker.
The weapon is hauled to a large refrigerated truck trailer.
A high-tech fork lift, is operated by a biosuited worker. He carefully grasps the weapon with mechanical arms. He loads it onto a movable rack of 20 Voracicillus X missiles.
The rack is completed. The truck platform lifts the rack from the ground to the flatbed. The rack disappears into the dark fathomless truck trailer.
AN OFFICIAL LOOKING BADGE AND GOVERNMENT DOCUMENT
INT. SUNRISE RESEARCH ADMINISTRATIVE OFFICE
A disguised Reed puts a badge and document in front of Amy.
Sierra has a mousy colored wig, thick horn rimmed glasses and wears a drab tailored suit. They both carry briefcases.
REED
I'm William Thomas from the Inspector General's Office, the Audits Division.
(indicates Sierra)
My Assistant, Sandra Nelson.
Sierra gives a shy smile to Amy.
AMY
Pleased to meet you both.
Amy allows a covert wave to her close friend.
REED
Tell Mr. Blephart we're here to do a spot audit.
AMY
Please sit down. Keep your document and badge out for Mr. Plephart, and I'll inform him you're here.
REED
Thank you.
Amy rises from her desk and heads for Mr. Plephart's office.
Sierra bends over to put her briefcase on the floor next to her chair. She sits and looks over to Reed.
SIERRA
Nice polyester suit.
REED
(fixing his tie)
Thanks. It's an official forensic investigation outfit.
Reed sits and becomes alarmed when he glances at Sierra.
Sierra's hair has partially popped out from her wig.
He mimes the problem to her. She tucks her hair in as Amy returns with Mr. Plephart closely following.
MR. PLEPHART
Mr. Thomas.
(nods to Sierra)
May I please see your credentials?
Reed stands and proffers the badge and document. Mr. Plephart scans the badge and document and hands them back to Reed.
MR. PLEPHART (CONT'D)
What do you wish to spot audit?
REED
I'm here at the instructions of Senator Matson's Committee.
MR. PLEPHART
Really? That's a Classified Project.
REED
That's correct. The funding comes from Senator Matson's Committee.
MR. PLEPHART
Do you have specific authority to audit a classified project?
REED
By authority of Senate Bill S.3189 for the Department of Defense, Section 126 referring to classified Procurement Projects, amended to be administered under the supervision of the Senate Appropriation Committee and controlled by the Sub-Committee of Classified Procurement, under the Chairmanship of Senator Harold Matson.
Reed looks at Blephart as if to say "You want more?"
MR. PLEPHART
Specifically what do you want to see?
Sierra fidgets uncomfortably.
REED
The entire Funding File. The Textual Time Period File. All available Procurement and Equipment Linkage. That will do for a start.
MR. PLEPHART
You're asking for a lot of material, Mr. Thomas.
REED
Just what we're entitled to see.
MR. PLEPHART
(looks at Sierra)
This may take some time.
(looks back to Reed)
I have the Textual Time Period file, but Funding and Procurement files have to come from the front office.
REED
We can wait.
Mr. Plephart leaves the office.
When Mr. Plephart is out of earshot, Sierra turns to Amy.
SIERRA
How long you think he'll be gone?
AMY
At least 15 minutes. Maybe longer.
SIERRA
(rises)
Let's go, Reed.
Reed gets up and follows Sierra out the door.
INT. SUNRISE RESEARCH HALLWAY
Sierra hurries down the hallway with Reed following.
Walking toward them, a TECHNICIAN reacts when he sees Sierra. He looks puzzled as they pass one another. He turns around to look after Sierra as she hurries down the hallway.
Sierra grimaces through her disguise. She hopes the Tech doesn't call out her name or try to stop them.
Gratefully, they turn a corner, the Tech not following.
SIERRA
That was Rex. Always the last to leave for lunch.
She stops at a security door entrance to the Research Lab. She looks through the small glass window.
SIERRA (CONT'D)
What I figured. They're out to lunch.
CLOSE SHOT -RON'S SECURITY CARD IN SIERRA'S HAND
Ron's picture I.D. can be seen on the security card. Sierra takes a slip of paper with numbers out of her purse.
Swiping the card through the box and looking at the numbers, Sierra punches in Ron's code and carefully opens the door.
INT. RESEARCH LAB
Sierra peers into the empty lab. They enter.
SIERRA
Stay by the door, Reed. Let me know if anyone is coming.
REED
No place to hide.
SIERRA
Hope no one shows. By using TIGER I can check out the current bacteria.
Reed stand by the window as Sierra moves to the equipment.
REED
Tiger?
SIERRA
Triangulation identification for genetic evaluation of risks.
REED
Somebody's coming, Sierra. Wearing a biosuit.
(pulls back from window)
He's passing us.
SIERRA
Probably going to the Cool Down room.
With the danger gone, she wiggles her arms into a set of mechanical arms. The test chamber contains the TIGER system, using a mass spectrometer.
SIERRA (CONT'D)
This microbial scale gauges the weight of a microorganism's RNA.
REED
(peering through window)
Could have fooled me.
INT. DR. KRUGER'S SUNRISE PETROLEUM OFFICE -- CONTINUOUS
Inside the elaborate office. Mr. Plephart stands in front of Dr. Kruger, who sits behind his desk.
MR. PLEPHART
He showed me his badge, his authorization document and seemed quite knowledgeable.
DR. KRUGER
Did he specifically ask to 'spot audit' the Voracicillus Project?
MR. PLEPHART
Actually, the authorization referred to the Pseudomonas Project, which was the initial name.
DR. KRUGER
Something sounds fishy. This project is on Fast Track.
Dr. Kruger picks up his phone and punches in some numbers.
INT. RESEARCH LAB
The phone on a desk RINGS. Reed looks to Sierra.
SIERRA
Let it ring. They'll think everyone is out to lunch.
Skillfully, Sierra manipulates the arms. She grasps a small metal container, marked with a V-X. Carefully, she brings the container to a micro slicing machine.
She slices a small portion of bacteria on to a glass slide. Next, she places the specimen under an electron microscope.
POV THROUGH MICROSCOPE
The Voracicillus bacteria is green, glowing and pulsing.
Lifting her head from the microscope, Sierra shakes her head.
SIERRA (CONT'D)
Not good.
Sierra places the specimen slide into TIGER. A WHIRRING sound is heard as the spectrometer goes to work.
The DNA code appears on an LED read out: gcaagcattaataaatttcccgattaaaccaggtcaagcctattaggc-- voracicillus XXX regenica nuclear polyh...900 4.3e-67 -1
SIERRA (CONT'D)
That's what Dad was so afraid of.
REED
How bad is it?
SIERRA
It's like the China Syndrome of bacteria. Self regeneration.
She removes the slide from TIGER putting the metal container back. Her arms out of the robot, she moves across the room.
Sierra takes out her digital camera. She shoots the equipment and pictures on the walls.
She moves to the file cabinet. Keys in the top drawer. She opens the locked cabinet, looking into drawers.
SIERRA (CONT'D)
The files are not here.
(opens bottom drawer)
Wow. The layout for Angel Island.
She gives the file to Reed, who puts it in his briefcase.
SIERRA (CONT'D)
I hope Aunty B is still here.
She rushes to a lab refrigerator and opens the door.
SIERRA (CONT'D)
Yeah! Twelve Aunty B's.
REED
That stuff kills the bug?
SIERRA
(opens her briefcase)
Snuffs 'em.
Sierra takes a small metal canister marked AUNTY B. She places it in her briefcase. The same with other canisters.
EXT. OPEN DOOR OF ASSEMBLY PLANT -- CONTINUOUS
Another weapon is wheeled out by a biosuited fork lift OPERATOR. The weapon is about to be placed on to a rack.
POV THROUGH THE OPERATOR'S GLASS FACE PLATE
A BEE hovers in front of the Operator's face plate and bumps up against the glass trying to enter the helmet.
In an involuntary reflex, the Operator swipes at his face plate, causing the mechanical grips on the weapon to release.
The Voracicillus X weapon falls to the ground nose first.
On impact, the nose cone BURSTS open, the bacteria finding the synthetic compressor hose leading to the truck.
Voracicillus SIZZLES it way along the hose.
A GUARD DOG with a surveillance pack on it's back, charges the SIZZLING hose GROWLING. The bacteria reaches the compressor, causing minor EXPLOSIONS. The explosions, spewing Voracicillus bacteria on to the dog's pack.
The dog SNARLS and SNAPS at the infected SIZZLING pack that the animal can't reach. YELPING, the beleaguered dog runs.
INT. RESEARCH LAB
Ron looks out the window, as Sierra continues to take pictures.
REED
We'd better wrap up.
EXT. NEAR ASSEMBLY PLANT ENTRANCE
The besieged dog momentarily hides under a fueling platform. Inadvertently the dog multiplies the food source for Voracicillus. The SIZZLING biomass quickly swells in size.
A DRIVER sitting in his truck, looks at his rear view mirror. He sees the rampaging Voracicillus consuming petroleum products. He starts PUNCHING BUTTONS.
The rear door of the truck SLAMS shut. The tailgate swings up. The refrigeration hose PNEUMATICALLY disconnects from the truck cab with a WHOOSH.
Putting the truck into gear, the Driver takes off.
INT. DR. KRUGER'S SUNRISE PETROLEUM OFFICE -- CONTINUOUS
Dr. Kruger SLAMS the phone down and spits out directions.
DR. KRUGER
Plephart! Go to your office, stall them and wait for Security.
MR. PLEPHART
Right.
A loud biohazard ALARM SOUNDS throughout the facility.
DR. KRUGER
Oh shit. Again?
INT. RESEARCH LAB
Sierra shuts the briefcase as she and Reed REACT to the alarm.
SIERRA
Outbreak.
REED
Let's get out of here.
SIERRA
No papers, Reed. We'll have to stop them on Angel's Island.
Sierra goes back to the refrigerator. She grabs another Aunty B canister, this time not putting it into her briefcase.
REED
You mean blow up the Island?
SIERRA
Maybe. If Voracicillus gets loose, it might spread all over the country.
She grabs a DMSO canister and tosses it to Reed.
REED
What does this stuff do.
SIERRA
It works like clorox on the bacteria.
INT. HALLWAY LEADING TO MR. PLEPHART'S OFFICE
Two SECURITY MEN and Blephart are hurrying down the hallway. The ALARMS are BLARING.
Sierra and Reed turn a corner and walk toward the three men.
MR. PLEPHART
There they are!
When spotted, Sierra instinctively spins the other way. Several biosuited STOP TEAM MEN round a corner. They crash into Plephart and the Security Men.
STOP TEAM #1
You guys are going the wrong way. Go to a Safe Room, right now.
Reed grabs Sierra and spins her around.
REED
Wrong way.
SIERRA
Right. Come on.
Plephart is trying to convince the STOP TEAM they're after someone. The team is single minded.
STOP TEAM #2
You guys are in danger. Get going!
EXT. ENTRANCE TO SUNRISE PETROLEUM
Sierra and Reed burst through the entrance. The infected dog skitters around the corner. The animal heads for the couple, the backpack now a biomass.
SIERRA
Stay away from the dog.
REED
I see him.
An open Hummer rounds the corner, chasing the dog. The DRIVER wears a biosuit. He carries an assault weapon and wants to corner the dog for the kill.
Skittering on the smooth sidewalk, the frantic animal heads directly for the couple.
As the dog tries to change direction, it skids into Reed. He tries to fend off the animal with his briefcase.
The Voracicillus has sloughed off to Reed's polyester blend pants and to his briefcase.
Reversing direction, the dog skitters off.
SIERRA
(looking at Reed)
You've been slimed Reed, don't move.
REED
I'm not moving.
The bacteria starts to SIZZLE. Sierra rushes to Reed and sprays the affected areas. The sizzling stops.
SIERRA
Let's go.
Running for the car, Sierra jumps into the driver's seat.
The dog is almost cornered by the Hummer. YELPING, the beleaguered animal squeezes past the vehicle. The dog skitters out the gate entrance and on to the road.
EXT. THE ENTRANCE GATE
The Hummer driver doesn't hesitate to follow the dog. The Hummer SMASHES through the downed gate arm.
Seizing the opportunity, Sierra follows the Hummer out of the Sunrise facility.
Sierra and Reed drive past the now stopped Hummer. They hear an assault weapon being FIRED. A Stop Team member hurries out of the vehicle, starting to fog the animal.
INT. HYBRID CAR
Reed looks behind to see if they're being followed.
SIERRA
At least we have pictures and some canisters of the anti-bacteria.
REED
Not enough for a big exposÈ.
Sierra sees a Sunrise truck ahead.
SIERRA
Hey, I'll bet that Sunrise truck is loaded with Voracicillus weapons.
REED
You planning to hijack it?
SIERRA
Yeah!
She tromps on the pedal.
REED
Whoa! Kidding, only kidding.
SIERRA
Let's see if he's wearing a biosuit.
The hybrid car engine ROARS. The gas engine kicks in from the electric. They gain on the trailer-truck.
REED'S POV FROM PASSENGER WINDOW
The Driver wears a biosuit. A shotgun sits in a gun rack.
INT. HYBRID CAR
REED
Biosuit. And a shotgun.
SIERRA
Maybe we shouldn't hijack him.
INT. RON ALTSCHULER'S HOME -- CONTINUOUS
Ron looks out his kitchen window facing the street. He adjusts his thick glasses.
RON'S POV
He's looking at a Hummer, parked well down the block.
Ron wears riding shorts, shirt, and a backpack. He speaks into a cell phone.
RON
You doing okay?
INT. HYBRID CAR -- CONTINUOUS
Reed talks into cell phone.
REED
We're doing fine. Just taking a little spin after work.
CROSS CUT BETWEEN REED AND RON
RON
Only got a minute. Did you close your deal?
REED
Didn't get everything we asked for, but we came away with something.
RON
(looks again at Hummer)
Tell your funny friend I accept his invitation. Gotta go. See you later.
His bike helmet on, he opens the door leading to the garage. He brings his road bike into the house. He grabs the garage door remote.
With the bike in hand Ron heads out the back door.
INT. BLACK HUMMER -- CONTINUOUS
Curt and Spanger stare through the windshield of the Hummer watching Ron's house.
Spanger is using his portable oxygen bottle with plastic tubes running into his nose.
Curt cradles a powerful rifle with both hands. Something he sees makes him position the gun with his right hand.
POV THROUGH THE HUMMER WINDSHIELD
The garage door is opening.
CURT
He's comin' out.
SPANGER
I see it. For Chrissakes, will you put the gun away! This is an 'accident operation.'
CURT
Always be prepared.
Spanger starts the Hummer's engine.
EXT. RON'S NEXT DOOR NEIGHBOR'S SIDE YARD
Ron carries his bike through the neighbor's side yard gate.
He mounts the bike and takes off on the sidewalk. He turns to point and click the garage door opener.
The garage door starts to close.
INT. HUMMER
Both men watch as the garage door closes.
CURT
What the fu.. He change his mind?
Spanger spots Ron turning the corner on his bike.
SPANGER
He pulled one on us.
Spanger puts the Hummer in gear and takes off.
EXT. MOUNTAIN ROAD -- CONTINUOUS
Ron pumps up hill near the lip of a mountain road. There's a steep canyon falling off to his right. He looks behind, spotting the Hummer coming up the road.
INT. HUMMER
Spanger hits the accelerator to close on Ron.
EXT. MOUNTAIN ROAD
PANTING now, Ron is pumping as fast as he can. He looks behind again. The Hummer is closing on him rapidly.
INT. HUMMER
Ron is seen riding dangerously close to the edge of the road. Spanger maneuvers the Hummer closer to the road's edge.
Ron and his bike drop out of sight.
CURT
You got him. He's gone.
EXT. DIRT BIKE MOUNTAIN TRAIL -- CONTINUOUS
Ron fights the ruts and bumps as his bike heads down a steep and treacherous mountain bike trail looking out of control.
INT. HUMMER
Spanger looks anxiously at both sides of the road.
SPANGER
There's no fuckin' cut-out.
CURT
(looking ahead)
There's one.
Spanger pulls into the cut-out. Curt opens the door and grabs his rifle.
SPANGER
Idiot. Not the rifle.
CURT
I'm gonna use the scope, asshole.
EXT. ROAD CUT-OUT
Curt exits the Hummer, holding the rifle with his good hand. He moves to the edge and looks over into the canyon.
CURT'S POV
The bike lies ten feet away from a spread eagled body at the bottom of the canyon.
Resting the rifle on his damaged hand, Curt aims at Ron's body. His right hand automatically goes to the trigger.
CURT'S POV THROUGH SCOPE
Ron's helmeted head is twisted down to his shoulder. His thick glasses are a few feet away. The body is not moving.
Curt's finger starts to pull the trigger. He changes his mind, lowers the rifle and moves back to the Hummer.
CURT
(to Spanger)
Poor sucker broke his neck.
He enters the Hummer, closes the door and they move off.
EXT. ANGEL ISLAND - GOVERNMENT LANDING DOCKS -- AFTERNOON
A barge with three Sunrise trailers is tied up to the dock. WORKERS are off loading one of the container trailers.
Three empty container trailers await being put on the barge.
The warehouse door is open and most of the racks are filled with Voracicillus X weapons.
INT. TEST LAB -- AFTERNOON
A biosuited Dr. Mori, looks into an active test chamber. He smiles broadly and raises a victorious fist.
INT. ELEGANT EXECUTIVE OFFICE -- LATER
Harwood, sitting behind his massive desk, watches the PBS "FRONTLINE" on his large TV screen.
Dr. Kruger enters the office and Harwood mutes the sound.
HARWOOD
Ah, Dr. Kruger. Frontline did a very unflattering segment about me. You have positive news for me, yes?
DR. KRUGER
Yes. Very positive news.
HARWOOD
You've stopped the security hemorrhaging?
DR. KRUGER
Somewhat, but the best news is we've solved the variant bacteria problem.
HARWOOD
Very good. That in no way should affect our current stockpile.
EXT. THE MORROW HOUSE FRONT DOOR - TIBURON -- NIGHT
A hand reaches out to ring the doorbell. The musical bell plays several bars of Kavelesky's "COMEDIANS."
The hand pulls back. The door is opened by Mario.
MARIO
Good evening Dr. Altschuler. We've been expecting you. You look none the worse for the wear.
Ron smiles back, picking up his several pieces of luggage.
RON
I look pretty good for a dead man.
MARIO
Precisely. Welcome to Morrow Manor.
Ron enters the house as the group comes to greet him.
INSERT MONITOR
a black and white Security video, taped from high on a building, shows the 'outbreak' at Sunrise Petroleum.
The dog attacks the refrigeration hose. A small explosion. Spewed with bacteria, the dog turns tail and runs.
INT. MORROW FAMILY ROOM -- NIGHT
Kenny, Sierra, Reed and Ron, sit watching the security tape.
KENNY
Won't even make "Most Wanted."
RON
I agree Kenny, but here's the big news. They've fixed the bad bug. No more mutant Voracicillus.
SIERRA
Are you sure?
RON
Straight from my friend Dr. Mori. He also had bad news.
SIERRA
What's that?
RON
There's now a warehouse full of bad bug weapons on the Island. They won't eat them. They'll sell them.
REED
Look out Armageddon.
RON
Fortunately Sierra, you found the layout. Know what we have to do?
SIERRA
Yeah, I do.
INT. MORROW GAME AND COMPUTER ROOM
Forrest has just shut down his computer. He moves to the open door to listen to the conversation in the family room.
INT. MORROW FAMILY ROOM
Ron looks over the Angel Island papers Sierra took from the Lab. Sierra, Kenny and Reed look over Ron's shoulder.
RON
I helped install the bioremediation equipment, so I know the complex.
SIERRA
There's a way to take out all the weapons at once, right?
RON
Yes, a high power microwave technology borrowed from a Cruise missile weapon. This one is industrial strength and can cook everything in the warehouse.
REED
Kill all the bugs?
RON
Yes, and all electronic circuitry.
REED
What about getting past security nets and then into the complex?
KENNY
The kayaks have a low draft, we can skim right over the nets. Ron knows about security.
EXT. ANGEL ISLAND - PIER AND LANDING DOCKS -- NIGHT
Lights shine on the remaining barge tied up to the dock. The empty containers have been reloaded.
Biosuited WORKERS are clearing up the loose ends. A biosuited SUPERVISOR talks to the main lead man.
SUPERVISOR
Your crew will be here in time for our first shipment at three P.M,, right?
LEAD MAN
No problem. They're scheduled to show up at seven A.M.
INT. MORROW'S BEDROOM -- NIGHT
Kenny, sitting at a makeup table, smears commando paint on his face. He's wearing clothes for the island assault.
June, in a nightgown, moves to stand behind him. She puts her hands tenderly on his shoulders.
JUNE
In twenty years Kenny, I have never stopped you. For the first time I'm asking you not to do this crazy thing.
Kenny stops smearing the commando paint and turns to her.
KENNY
Junie, it's the most important thing I've ever done.
JUNE
If you love Forrest and me you won't do it.
KENNY
You're doing Fiddler On the Roof.
(sings)
"Do you love me?"
JUNE
Well, do you?
KENNY
That's a ridiculous question, Junie. I need to do it. Not for the cameras, not for an audience, but for me. I need to make a real difference.
He turns back to the mirror, smearing on more commando paint.
JUNE
You have. You do. You've touched millions of lives.
Tears stream down June's cheeks.
KENNY
Yeah, by praising real-life heroes, or playing them on the screen.
JUNE
Playing this role could cost you your life or even worse, your career.
KENNY
(smiles)
You're using my lines. You know I have to do it, Junie.
He turns to her, pulls her down to him and gives her a passionate kiss, smearing paint on her tear-streaked face.
EXT. KENNY'S BOAT DOCK -- NIGHT
An ultra-bright blue LED torch light, wags around until Kenny fixes it to the stern of a kayak. He goes to the next racked kayak. He fixes another blue torch light.
PATH NEAR KENNY'S BOAT DOCK
Sierra and Reed are on the path leading to the boat dock. They wear dark warm clothing and carry equipment bags. They walk to the steep ladder leading to the dock. No disguises.
SIERRA
This is it. I have the strangest feeling our dads are watching.
REED
I feel it too.
SIERRA
It's like Dad's seeing me winning the Nobel for Science. For you it must be like climbing to the top of the highest Redwood.
REED
(reminded of his fear)
Yeah.. As if that'll happen.
They reach the dock ladder and she nimbly climbs down. Reed closes his eyes for a moment. He gathers his resolve and makes his way down the ladder. Once on the dock, he's okay.
KENNY
(Long John Silver)
Argh.. Welcome aboard Lad and Lassie.
They look at Kenny's painted face in the dim dock light.
REED
You're really into this, huh, Kenny?
KENNY
I was going to wear my camouflage uniform, but I couldn't find it.
Kenny is nervous and moves in jerky motions like a boxer.
KENNY (CONT'D)
You kids nervous?
SIERRA
Yeah.
REED
Aren't you, Kenny?
KENNY
Well, we're going to have to do this in one take.
REED
Let's get going. Sunrise is at 5:40.
RON (O.S.)
Here I am, here I am..
Ron climbs down on to the dock with his duffel bag.
RON (CONT'D)
Forgot the layout.
KENNY
Here's LED lights, Reed, fix a light to Sierra's rear. I'm mean her kayak.
Reed takes two flashlights.
REED
You've made this trip at night, Kenny?
KENNY
Once when I was high.
REED
Are you okay to lead?
KENNY
I remember my way.
The four nervously affix lights. They check out equipment and place bags in their respective kayaks.
They lift the holding clamps and take the kayaks from the racks. They prepare to put the tiny boats in the water.
INT. BRIDGE OF COAST GUARD CUTTER -- NIGHT
Night lights are on in the cutter bridge. The Captain stands near the HELMSMAN, turns to talk to the Lieutenant.
CAPTAIN
Starting tomorrow, we'll be clearing shipping lanes to the island. Helmsman, let's make one more round.
HELMSMAN
Aye aye, Captain.
The Helmsman spins the helm.
KENNY'S DOCK - CONTINUOUS
The four kayaks sit in the dark water, prepared to push off.
Boat ENGINES are heard. A power boat with a search light shining on the water approaches the dock. The four hang as close to the shadows of the dock as possible.
Swinging further out into the bay, the passing power craft proves to be a fishing boat. It's on the way out to sea.
The shore lights permit the four kayak procession to be seen on the dark water. They nervously push off for the island.
Kenny leads, followed by Sierra, Ron and Reed.
KENNY
(a'la John Wayne)
Listen up you, Leathernecks. I'm gonna go easy on ya so ya can save your muscle 'til we hit the beach. Let's go show that sonovabitch bad bug what we're made of.
REED
It's not a film, Kenny.
INT. ANGEL ISLAND WAREHOUSE CONTROL ROOM -- CONTINUOUS
Biosuited, Dr. Kruger and Dr. Ingersol overlook the warehouse from the Control Room. They check out bio-sensors and scopes, examining the stored weapons. The two look like twins.
DR. KRUGER
Everything looks good.
DR. INGERSOL
Think we should stay overnight?
DR. KRUGER
No need for that.
BACK TO THE KAYAKS
The kayaks are quietly making their way into the darkness.
Reed reacts when he sees something ahead.
REED
Hey, Kenny. Look at your wake.
The wake from Kenny's kayak is luminescent.
KENNY
(looks over the side)
Hey, I'm lighting the way.
SIERRA
Fantastic. It's Pyrrhophyta.
RON
A K A dinoflagellates. Single-cell little critters.
All four kayaks now are in the bioluminescent water. Each paddle stroke gives off an eerie, ghostly light.
SIERRA
(spots something)
Kenny, hold up a minute.
Sierra sees a plastic grocery bag floating on the surface. She paddles into a position to pick up the bag.
REED
Not your Bag Lady thing now.
SIERRA
Every litter bit helps.
Sierra reaches into the luminescent water for the bag. A ghostly torpedo shaped FIGURE shoots right by her. Seen just under the surface, the figure is chased by a much larger GHOSTLY FORM. The kayaks rock dangerously.
Sierra quickly withdraws her hand from the water.
KENNY
It was a seal being chased by Jaws.
Sierra is shaken. The kayakers nervously resume paddling. The ghostly bioluminescent light follows in their wake.
ALTERED ANGLE -- THE BAY
Two spotlights shine on the water from the prow of the cutter on patrol. The cutter's bow wake is luminescent.
BACK TO THE KAYAKS
Reed looks at the approaching cutter.
REED
Better stop paddling.
As they stop paddling, the kayaks drift apart. The luminescence decreases around the tiny boats.
INT. BRIDGE OF COAST GUARD CUTTER
The Captain looking ahead, makes his decision.
CAPTAIN
Okay, nothing happening. Let's go home. Increase speed to thirty knots.
The Helmsman pushes the throttle and the engines ROAR.
BACK TO THE KAYAKS
Reed reacts to the sudden increased speed of the cutter.
REED
Maybe we weren't spotted. Stay still.
The cutter's two lights shine on the water. The ship speeds forward leaving a large wake.
Veering to the right, the cutter just misses the kayakers, creating a huge phosphorescent wake.
REED (CONT'D)
Face the wave, Sierra!
KENNY
Start digging gang.
The kayakers manage to ride over the first luminous wave.
Looking to see if everyone made the wave, Ron fails to see a second wave coming. The wave SMACKS his sit-in kayak sideways, causing the little boat to roll over.
The water around the submerged kayak glows actively as Ron struggles to right himself.
Reed rushes over to Ron and pulls the flipped prow over his gunnels. Ron pops up SPUTTERING.
SIERRA
Ron! Are you alright?
RON
(gagging a bit)
Yeah, I'm okay.
(realization)
I lost my glasses! I'm blind!
REED
Kenny, get near us and let Ron hang on to your kayak.
KENNY
My God. You've become Hugger.
REED
It's in my genes.
Kenny paddles over to Ron who grabs on.
Reed raises the flipped prow and twists it upright. Working it back and forth he sloshes water out. Reed grabs a bilge pump from an elastic holding cord and starts pumping.
RON
What am I going to do without glasses?
SIERRA
I'll guide you.
EXT. KENNY'S BOAT DOCK AREA -- CONTINUOUS
Clausen is on the path to the boat dock. He shines his flash light down on empty kayak racks. He turns to Spanger and Curt right behind him, addressing the two assassins.
CLAUSEN
That's how they're getting to the island. We'll get them this time.
BACK TO THE KAYAKS
Reed has loosely tethered Ron's kayak. They paddle in unison.
The bright blue LED lights are visible, as are the wakes and paddle strokes caused by the kayakers.
KENNY
Red lights ahead are the entrance warning buoys.
ON REED
He thinks he hears something.
REED
Ron, stop paddling a minute.
Ron and Reed pull their paddles and drift.
EXT. WATERS NEAR THE KAYAKERS -- CONTINUOUS
A kayak drifts as a DARK FIGURE quietly lifts the paddle from the luminescent water. The loan kayaker is tailing the assault team. The figure wears a head set. An LED light of a hand held GPS unit blinks on for an instant.
BACK TO REED AND RON
Reed doesn't hear the sound again. He starts paddling, causing the luminescent water to light up.
REED
My imagination, I guess.
INT. ANGEL ISLAND SECURITY TOWER -- CONTINUOUS
A Security Guard is watching both sonar and radar screens. He comments to the Second Guard who has his eyes closed.
1ST GUARD
Red Tide has the whole food chain hopping right now. We're getting hits all over the place.
2ND GUARD
It can drive you nuts. I'm going below to grab some shut-eye.
THE KAYAKS
The kayaks approach the Security Nets.
KENNY
The net sags a little between the buoys. That's where we're going in.
REED
I'll help pull you over, Ron.
Kenny paddles furiously, skimming over the top rope.
REED (CONT'D)
Paddle hard, Sierra. Pull up your paddle just before you hit the net.
Sierra fast strokes. She successfully skims over the rope.
REED (CONT'D)
Ron, start left paddle on "Go." Go!
Reed and Ron start their sprint. Reed clears the rope easily and Ron gets snagged as Reed's tether grows taut.
RON
Shit.
REED
Back off and try again. When I tell you, lean back hard to lift the prow.
RON
Got it.
Ron digs his paddle stirring up the luminescent water.
REED
Now!
Ron leans back hard and successfully crosses over the net.
EXT. ANGEL ISLAND - PIER AND LANDING DOCKS -- CONTINUOUS
Workers in biosuits handle Voracicillus X weapons. On the dock, the weapons are put into large wooden crates for shipment. The warehouse door is open.
EXT. ON THE BAY NEAR THE LANDING BEACH -- CONTINUOUS
The four kayaks hold their places in the water, before attempting a landing. Light and WORK SOUNDS emanate from the dock a half a mile away.
Luminescent wave tops form behind the kayakers, then rush to the beach, breaking on the shore.
REED
Sierra, catch a wave like a surfer.
SIERRA
Gotcha.
REED
When we hit the beach Ron, you'll get out by yourself. Okay?
RON
I'm blind, but I'm not crippled.
KENNY
The rocks are murder on both sides of the beach. You gotta watch it.
Except for Ron they look back for the waves.
Kenny sees a luminescent wave cresting. He starts digging with his paddle. He catches the wave and rides it in.
NEAR THE BEACH
Kenny's kayak HITS submerged rocks. There's a wrenching TEARING sound. A following wave pushes the damaged kayak to shore. Kenny hops out, landing awkwardly on submerged rocks.
KENNY (CONT'D)
(yells in pain)
Shit.
Painfully, Kenny manages to drag the kayak up the beach. Grabbing the LED light, he signals the kayakers to move right.
BACK TO THE KAYAKS
REED
Sierra, move more to the right.
They reposition.
REED (CONT'D)
Soon as you hit the beach, hop out and start dragging the boat to shore.
SIERRA
Got it.
She looks behind and catches a cresting wave, riding it in. As the prow hits the beach, she hops out and start tugging.
SIERRA (CONT'D)
Kenny, where are you?
Kenny is shinning a flashlight on his busted, bloody ankle.
KENNY
Over here.
Sierra drags the kayak on to the beach. She looks behind in time to see Reed and Ron, side by side, hitting the beach.
They both hop out and tug their kayaks onto the beach.
REED
Made it.
KENNY
My ankle's busted, Reed.
Reed hauls the kayaks up the beach, with Sierra's help.
REED
Great. What can you see, Ron?
RON
I can see lights and forms. I can't read anything.
SIERRA
We'll do okay.
Reed turns around thinking he hears something out at sea.
REED
Give me your gun, Sierra.
She reaches into her bag and hands the gun to Reed. He walks to the surf line, peering into the darkness.
A kayak looms into view, catches a wave and rushes to shore.
Reed aims the gun at the oncoming tandem craft, until he's stunned to see the kayaker is Forrest, wearing his headset.
Reed pockets the gun and runs into the surf.
FORREST
Hey Reed, what's happenin'?
KENNY
(hears Forrest)
Forrest! Oh my God.
Lying on the beach, Kenny tries to get up. He can't.
In the surf, Reed helps Forrest hop out and beach the kayak.
REED
It's a good thing you're here. Your dad busted up his ankle and his kayak.
FORREST
(rolls eyes)
Can't take him anywhere.
Sierra walks to the surf edge.
SIERRA
Good you're here, Forrest. You can take your dad back.
KENNY
(from the beach)
Christ! Mom is going to kill us both. Why did you do this?
Cocky, Forrest pulls the kayak up the beach. He adjusts his head set and goes to Kenny.
FORREST
I got skills. I'm not bailing now.
KENNY
No Forrest, I can't let you stay.
FORREST
It's my game, Pops. "Halo 2." "Legendary Mode" I'm the Champion.
KENNY
Shit! This isn't a video game. This is for real and I'm frustrated and furious that I'm out of it. What am I going to do with you?
FORREST
What are we going to do with you, Pops?
REED
Forrest, it only makes sense for you to go back with your dad.
RON
Wait a minute. The kid knows computers. He can be my eyes and hands. We need two operators for the Fail Safe.
FORREST
See, Pops. The man knows his shit.
Forrest hurries over to the tandem kayak. He picks up the paddle and smashes it over the kayak. Picking up the broken half of the paddle, he punches holes into the kayak.
REED
Very cool, Einstein. Three kayaks for five people?
FORREST
We can improvise. Let's rock and roll.
EXT. ANGEL ISLAND - ABANDONED 'NIKE' MISSILE SITE -- NIGHT
Flashlights shine on a dirt path. Reed and Forrest assist Kenny who uses a paddle as a crutch. Flashlights shine on an abandoned Nike Missile barracks/control room entrance.
KENNY
You're leaving me here like Gregory Peck left Anthony Quayle in Guns Of Navarone. If the Nazi's find me, what should I tell them.
FORREST
Cool it Pops, I'll stay in touch.
Inside, Kenny spots a built in wooden table and benches.
KENNY
All the comforts of home.
He hobbles across the room and plops on the bench.
REED
Maybe you should stay with your dad, Forrest. I can help Ron.
FORREST
No way, JosÈ. I was conceived for this job. The computerized seeing eye dog. Just hang cool, Pops.
Forrest turns and walks out the door. Kenny reaches in his equipment bag and hands Reed a can of Aunty B.
KENNY
Maybe he can use this.
REED
I'll watch out for him, Kenny. He's impulsive, but he's smart and capable.
EXT. PIER AND LANDING DOCK -- CONTINUOUS
Nightlights shine on WORKERS, now in civilian clothes. They board a shuttle boat tied up to the pier.
Also tied up to the landing dock, is a large unattended power boat. Next to it are several smaller boats and runabouts.
EXT. ISLAND HILLSIDE -- CONTINUOUS
Reed leads the way through a hilly area. Trees partially hide the small assault team. He throws up his hand.
Reed looks up and behind them to the hilltop.
REED'S POV
A flashlight bobs up and down making its way along the top of the hill. The flashlight starts moving down a pathway, away from the team.
REED
(whispering)
Hope he's not heading for Kenny.
Forrest pulls out a cell phone. He punches buttons.
The flashlight stops moving. Something caught the person's attention. After a beat the light continues down the trail.
INT. ABANDONED 'NIKE' MISSILE SITE
Kenny pulls out his RINGING cell phone and answers.
KENNY
Not now, Junie.
BACK TO FORREST
FORREST
Pops, it's me. Unauthorized life form comin' at ya.
CLOSE SHOT OF A WHARF RAT
EXT. PIER AND LANDING DOCK
Beside a crate, a wharf RAT pauses, it's nose twitching. The rat scurries away.
CLOSE SHOT OF WOODEN CRATE
A SIZZLING SOUND emanates from a wooden crate ready for shipment. A green GLOW can be seen through the wood slats.
EXT. SECURITY FENCE ON ISLAND -- CONTINUOUS
A chain link fence separates the island pier area from a hilly section not under government control.
Using cutters, Reed cuts a section of fence. He pushes it in. The four assault team members crawl through.
INT. WAREHOUSE CONTROL ROOM EXIT DOOR
Doctors Kruger and Ingersol exit the control room with helmets on. Kruger makes sure the door is locked.
EXT. TIBURON WHARF AREA
A power boat speeds from the wharf. Clausen drives, Spanger and Curt cradle their rifles, heading for Angel Island.
Clausen drives with one hand and has a cell phone to his ear. He's waiting for someone to pick-up. No answer.
INT. WAREHOUSE CONTROL ROOM -- CONTINUOUS
The phone RINGS. No one in the control room to answer.
INT. ABANDONED 'NIKE' MISSILE SITE
A cell phone sits on the wooden table, SOUNDING a game.
The door slowly opens with an assault weapon poking it open. A SECURITY GUARD dressed in fatigues cautiously enters. He fixes on the cell phone sounding on the table.
The Guard goes to the phone. Kenny moves from behind the door and raises a paddle.
EXT. ANGEL ISLAND - PIER AND LANDING DOCK AREA
Led by Reed, the assault team creeps up to hide behind metal drums. Reed cautions them to stay low. Forrest pulls Ron down to keep him out of sight.
EXT. WAREHOUSE MAIN EXIT DOOR AREA
The door opens and the biosuited doctors exit the warehouse.
INT. WAREHOUSE FLOOR
Near a weapons rack, is a pail with a plastic mop handle. The plastic handle leans up against the nose of a Voracicillus-X weapon.
A green glow and SIZZLE emanates from the missile.
EXT. WAREHOUSE MAIN EXIT DOOR AREA
Dr. Kruger locks the door. The two men start walking.
DR. KRUGER
I'll flip you to see who drives the speed boat back to San Francisco.
DR. INGERSOL
You're on.
The doctors walk toward the Decon building.
Reed steps in front of the doctors, blocking their path. He levels the gun at the two biosuited men.
REED
Stop right there.
Both men are startled and stop in their tracks.
DR. KRUGER
What is this?
REED
Throw your keys down on the ground.
Sierra steps up beside Reed. Forrest and Ron stand.
DR. KRUGER
Ah.. the missing Miss Keefer.
SIERRA
Surprise.
DR. INGERSOL
(leans to look at Ron)
Where are your glasses, Altschuler?
Ron doesn't answer.
DR. KRUGER
(looks at Reed)
You must be McFee.
REED
Wonder how you'd know that?
DR. KRUGER
You won't shoot, McFee, so I'm just going to walk right past you.
Reed grabs him by his arm, putting the gun to the side of Dr. Kruger's helmet.
REED
Hugger died from a shot to his head, too. Hand over the keys.
DR. KRUGER
I know nothing about that. These weapons are for protecting the peace.
SIERRA
Our dad's were killed for peace?
REED
Both of you throw your keys on the ground, now!
Kruger looks up at the security tower. He doesn't see anyone.
DR. KRUGER
You'll never get away with this.
Kruger throws his keys on the ground. Reed turns to Ingersol.
REED
You too!
Ingersol throws down his set of keys.
RON
Take them to the Decon building behind us. It has an outside lock.
Reed motions for them to move to the building.
Dr. Kruger stops and turns to Sierra.
DR. KRUGER
Think twice about picking up those keys. They may have live spores.
Sierra smiles, takes the Aunty B canister and sprays both sets of keys. She hands Reed a set.
SIERRA
Come up to the control room after you lock these creeps up.
RON
Wait a minute! Kid, separate the Decon key from the other keys and give it to Reed. We need both sets.
Forrest takes the keys from Reed and works off the key.
Taking the Decon key, Reed nods for the two men to move.
EXT. SAN FRANCISCO BAY -- CONTINUOUS
Clausen and the assassin's speed boat cuts through the water. Leaving a luminescent wake, they move closer to Angel Island.
EXT. WAREHOUSE MAIN EXIT DOOR AREA
Sierra finds the key to open the warehouse door. She's about to open the door.
Forrest leading Ron, turns on his head set.
FORREST
Techno One to Base Leader. We're entering primary target.
SIERRA
What the hell are you doing, Forrest?
RON
Stay with the program, Kid. I need total concentration.
FORREST
I read you Obi-Ron.
(into mike)
Base Leader. Starting operation, will leave line open.
As Sierra opens the warehouse door, a SIZZLING SOUND escapes. She looks inside and her mouth opens.
SIERRA
Oh my God.
INT. WAREHOUSE FLOOR
The exploded Voracicillus-X weapon has caused a chain reaction. It's spreading to the other racks.
Another EXPLOSION. Maintenance equipment is being consumed.
RON
Outbreak! Can we get up the metal stairs to the control room?
The green glowing SIZZLING bacteria sends tentacles out, reaching toward the metal stairway.
Sierra looks through the partially opened warehouse door.
SIERRA
The biomass is almost there.
RON
Get there fast. The steps are covered with composite non-slip.
More EXPLOSIONS. Voracicillus is spreading in all directions in the warehouse. Sierra opens the door wider and enters.
SIERRA
Forrest, use your canister!
Forrest gets his first look at Voracicillus in action.
FORREST
Oh shit! Hold on, Obi-Ron!
Sierra rushes into the warehouse. She sprays the edges of the glowing biomass. Forrest SLAMS the door and sprays with Ron hanging on. Sierra and Forrest, spray their way to the stairs.
SIERRA
Take the keys Forrest. You and Ron get up there.
The keys are dropped in the transfer, but luckily land on a step. Forrest picks up the keys and starts climbing.
FORREST
Obi-Ron, we're going up!
Forrest and Ron make it to the top of the stairs. Looking through the keys, Forrest tries different ones.
Sierra faces the advancing biomass and backing up the stairs, she sprays. She's fighting a losing battle with her small canister.
Forrest finds the right key and opens the control room door. Forrest shoves Ron inside and looks down to Sierra.
FORREST (CONT'D)
We're in, Sierra!
Sierra turns and rushes up the last few steps, hurrying into the control room. She pulls the door SHUT just in time.
EXT. DECON BUILDING
Reed turns away from locking the two doctors in the Decon building. They watch from a glass window in the door.
As Reed crosses to the warehouse, he hears EXPLOSIONS. A SHOT rings out as a bullet SPLATTERS near his feet.
Instinctively, Reed runs for cover. He ends up behind some of the wooden weapon cases. He pulls out the gun.
ON THE DOCK NEAR THE BOAT LANDING
Clausen remains in the speed boat, armed with a rifle. Spanger kneels behind some metal drums. With his handgun, he waves for Curt to go to the wooden crates.
Curt, carrying his rifle, also has a bandoleer carrying throwing knives. He runs to the wooden crates.
INT. WAREHOUSE
Many of the weapons have exploded or are EXPLODING. They mass into a sea of SIZZLING green glowing bacteria.
Voracicillus has made its way to the top of the metal stairway leading to the Control Room. The biomass is now so large that it pushes against the door and windows.
INT. WAREHOUSE CONTROL ROOM
Sierra and Forrest sit at computers ten feet apart, overlooking the warehouse. Ron stands beside Forrest. Forrest and Sierra start booting up their computers.
SIERRA
Hope Reed knows he's on his own.
Through the window, Sierra and Forrest witness the rapidly growing SIZZLING green glowing biomass.
FORREST
What do I do now, Obi-Ron?
RON
Both of you initialized?
SIERRA
Yeah.
FORREST
Yeah!
RON
Okay, Kid. There's a small drawer to the right of the computer. Open it and get the C-Card.
Forrest opens the drawer. He takes out a credit card sized unit with a small LED read-out at the top.
FORREST
Okay!
He watches the biomass out of the corner of his eye. It's reaching above the sill of the control room window.
RON
Kid, not to rush you, but you've got to do this fast and do it right.
FORREST
Right.
RON
Password is Foil. F-O-I-L. Enter Foil, then view the C-Card. You have fifteen seconds to enter eight numbers before it automatically changes. Hit "Enter" and we're into the Microwave Kill System. Mess it up, we start all over again.
FORREST
I got it.
INSERT MONITOR
F-O-I-L is spelled out, followed by 8 3 6 2 4 7 1 8. After a beat, MICROWAVE KILL SYSTEM appears.
EXT. ON THE DOCK
Staying low, Reed cautiously looks down between a row of crates. He's looking for the attacker.
REED'S POV
A shoe on the ground pokes out behind an end crate.
Taking careful aim, Reed SHOOTS at the shoe. He splinters the corner of a crate, not knowing if he hit his target. He looks around trying to figure his next move.
The THUD of a knife slamming into a crate just above his head, makes Reed jerk back. The knife is straight up and down as if fallen from the sky. A second knife THUDS into the crate next to the first.
Reed reaches up and works a knife out of the crate. A SHOT WHIZZES over the crate near where Reed's hand had been. A fusillade of GUNFIRE starts HITTING Reed's crate and others close by. The shooting stops.
A weapon in a crate behind Reed has been hit and EXPLODES.
Crouching, Reed moves to the next row of crates. A strange SIZZLING sound emanates from the new crate, causing Reed to draw back. He's facing the green glow of Voracicillus.
INT. WAREHOUSE CONTROL ROOM
The green glowing biomass is a SIZZLING sea of pulsating bacteria.
Monitors show PHASE ONE READY and a START BOX. Each computer has a key in a modem, ready to start the Fail Safe system.
RON
It's a two-phase system. A billion watts in one big flash. That'll eat up the weapon circuitry and kill the bug. It may not do the whole job.
More muffled weapon EXPLOSIONS penetrate the control room. The biomass is pushing up against the windows.
FORREST
What's Phase Two?
RON
Six sea pumps flood the warehouse. Saline will kill the bug.
The windows are GROANING under the ever growing pressure.
SIERRA
Do we stay for the big bang?
RON
Behind us is an emergency escape chute. It leads to outside. When both phases get going, we get out.
The Control Room lights FLICKER and go out. Red emergency lights come ON. The green glow of the bacteria pressing against the window turns brown.
SIERRA
It got to the circuitry!
RON
Hit the red button for emergency power!
SIERRA
They all look red!
EXT. ON THE DOCK
Reed watches anxiously as the green glowing biomass grows. It's almost to the opening between the slats of the crate.
Gripping the knife blade, Reed pokes the plastic handle through the wood slats and into the growing biomass. He withdraws the knife and heaves it. He hears the knife CLATTER on the dock.
NEAR WHERE CURT IS LOCATED
Curt motions for Spanger to get ready to shoot.
CURT
(yells)
You almost hit me! Want to play catch?
He picks up the knife by the plastic handle. Curt immediately reacts to the Voracicillus. He throws the knife down and reflexively tries to wipe the bug off with his other hand. Curt SCREAMS in agony.
Spanger is horrified and starts moving toward the boat. Clausen sees Curt is covered with Voracicillus and STARTS the speed boat engine.
BACK TO REED
Reed hears the SCREAMS and attempts to look down the rows.
The crates on either side of Reed begin to OOZE Voracicillus.
INT. WAREHOUSE CONTROL ROOM
Voracicillus covers half of the Control Room viewing window with it's strange brown glow.
Red lights are still on as Sierra hits the emergency button.
SIERRA
No lights. The computers seem okay.
RON
Separate power. The Kill systems have their own power too. Let's get them running. Click on Start.
Sierra and Forrest CLICK Start. The red emergency lights WAVER.
EXT. ON THE DOCK NEAR THE BOAT LANDING
Sunrise is starting. Crates are EXPLODING and leaking the SIZZLING biomass.
Clausen still in the speedboat, STARTS the engine. He moves forward to release the dock lines.
SCREAMING, Curt, his exposed skin covered by bacteria, writhes in agony. He's trying desperately to climb on to the speedboat along with Spanger.
CURT
Don't leave me Clausen!
Spanger uses a dock bumper attempting to fend Curt off. Curt pushes the bumper aside, smearing it with bacteria.
SPANGER
You'll kill us all.
Curt SLAMS his hand on the Plexiglas windshield of the boat. The hand print radiates out as the windshield is consumed.
Throwing the boat into REVERSE, Clausen GUNS the engine. The infected nylon dock line SNAPS, whipping the rope against Spanger's oxygen tubes. The bug races up and down the tubes.
The FULLY POWERED and infected boat with Clausen at the controls, SPINS wildly, CRASHING into the larger nearby speedboat.
INT. WAREHOUSE CONTROL ROOM
The Red Lights are wavering, threatening to go out.
INSERT MONITOR SHOWING "FULL POWER"
RON
After a ten second count-down, turn your Fail Safe keys left, reposition and turn left again for the Sea pumps.
The growing biomass is exerting tremendous pressure. It's causing the windows and doors to GROAN as the SIZZLING sound grows louder.
RON (CONT'D)
Start!
INSERT MONITOR
The sound of the POWER RAMP STARTS UP. Sierra and Forrest simultaneously twist the Fail Safe keys. They repeat the procedure. The Sea PUMP SOUNDS START.
SIERRA
Let's bail!
Forrest and Sierra jump out of their chairs. Sierra heads for the emergency switch and Forrest grabs Ron.
Sierra reaches the emergency switch, pulling it down.
The hatch SLIDES OPEN. Sierra turns to Forrest.
SIERRA (CONT'D)
Forrest, you first.
Forrest hesitates, climbs into the chute and starts his slide.
FORREST
(descending yell)
Shhiiiit...
SIERRA
You next, Ron.
RON
Sierra. See the big button at the top of the chute?
SIERRA
I see it.
RON
Hit it before you go. It'll secure the chute so the bug can't get out.
Ron goes into the chute and starts his descent. The power and pump RAMP UP is reaching full strength.
Sierra swings into the chute, PUNCHES the button and lets go. The hatch SLAMS SHUT behind her.
BACK TO REED
Above the SIZZLE of the Voracicillus outbreak, Reed hears CRIES OF AGONY from the doomed men and the EXPLOSIONS.
The biomass pours out of some crates and flooding the rows, heads toward Reed. He grabs his Aunty B canister, climbing on top of an unaffected crate. He sees a pathway of crate tops leading to a tall wooden telephone pole.
He hops from crate to crate, balancing precariously while avoiding the biomass. Reed reaches the crate nearest to the pole. He looks up at the metal foot holds and hesitates.
A tremendous FLASH, followed by a SONIC BOOM, comes from the warehouse, knocking Reed down to the top of a crate. The growing, SIZZLING biomass is not slowed by the blast.
INT. WAREHOUSE
The biomass and the weapons are smoking from the micro-wave blast. The sea pumps SHOOT sea water from six massive openings, drowning the still living Voracicillus bacteria.
BACK TO REED
Reed sees the pole is brushed with tar. He sprays the pole to deter the bug. Too late. The bacteria has started up the tar smeared pole.
Reed quickly starts climbing the pole. To his horror, he realizes that a POWER LINE runs up the side of the pole.
The power line becomes a FUSE for Voracicillus, rapidly SPARKING, SPUTTERING and advancing up the pole.
As Reed reaches the top of the pole, a bullet SLAMS into the wood near his head. He manages to swing around to the other side of the pole. He spots a Guard aiming a rifle from atop the security tower.
Reed manages to get off a SHOT, causing the Guard to go for cover. The Voracicillus rapidly climbs the pole, consuming the power line and tar coating to grow and nip at Reed.
Pocketing the gun, Reed grabs onto the power line insulators. He works his way along sagging lines, reaching a large support of a dock crane. He climbs down the support to the crane cab.
Below him, Reed sees the outbreak surging as weapons EXPLODE. The SIZZLING biomass grows into a green glowing sea.
Looking at the crane controls, Reed STARTS the motor. He tests the arm with the cable and hook and manages to maneuver it close to the cab. He's able to grab the cable and pull in the large hook.
Stepping on to the large hook, he activates the cable to run out toward the edge of the dock. Reed is jerked out of the cab, at first the cable swinging him wildly.
As the swinging cable stabilizes, Reed manages to pull the gun from his pocket. He rides the pulley cable toward the dock's edge. He takes aim down below.
A large PROPANE TANK is the target and as he nears the water, Reed FIRES a volley of shots. He HITS the tank.
A HUGE EXPLOSION blows up the entire dock and the biomass.
EXT. HILLY AREA ON THE ISLAND
Sierra, Ron, and Forrest react to the explosion. She turns to look. Massive smoke clouds illuminated by the sunrise and fire rises from the dock area.
SIERRA
Reed!
RON
(comforting)
We all did our jobs, Sierra.
Still wearing his headset, Forrest pulls out his cell phone. He PUNCHES a number. He listens as the phone rings.
FORREST
Dad's not answering.
INT. ABANDONED 'NIKE' MISSILE SITE
Inside the site, the glint of an assault weapon can be seen. The person holding the gun is hiding in the shadows wearing a camouflage uniform. The gun is aimed at the partially opened door.
The door is slowly being pushed open from the outside.
FORREST (O.S.)
(tentative)
Pops?
Forrest enters through the door.
KENNY
Forrest, thank God. I heard all the explosions...
FORREST
We did the job.
Ron enters behind Forrest.
RON
Your kid did good.
KENNY
I'm so proud of you guys.
FORREST
Where'd you get the neat top, Pops.
KENNY
You warned me, I hit him, got his weapon, made him strip and sent him out. It was "Naked Enemy II." Naked enemies don't fight. Only this time I wasn't the naked guy.
FORREST
Good goin' Pops.
KENNY
Where are Sierra and Reed?
EXT. SECURITY FENCE
Sierra waits by the security fence, looking intently for any sign of Reed. Sadly, she turns and heads for the beach.
ON THE BEACH
Kenny grimacing in pain, sits on a rock with Ron sitting beside him. Forrest stands in front of the two men.
Sierra is dragging her kayak down to the surf.
Turning around, Forrest watches Sierra pulling the kayak.
FORREST
Where you goin', Sierra?
SIERRA
To the dock.
FORREST
Want me to go with you?
SIERRA
No, take care of your dad and Ron.
KENNY
Sierra, be careful rounding the point. There's some submerged rocks there.
Sierra acknowledges Kenny. She pushes into the surf, hops in, grabs her paddle and points the bow to face the waves.
BACK TO THE BEACH
FORREST
(turns back)
I'll call the Coast Guard now.
KENNY
Bad idea Son. We'll be hauled away.
Forrest turns to look at the bashed up tandem kayak.
FORREST
(almost crying)
Don't know how I could have done such a dumb thing.
KENNY
I've done dumber. You're a Champion, Forrest. An honest to God real-life Champion. Go home, Son. Call Mario. Have him bring the speedboat and a raft to bring Ron and me back.
EXT. ON THE WATER NEAR ANGEL ISLAND POINT
Sierra spots the submerged rocks as she nears the point.
She swings the kayak, avoiding rocks, as she rounds the point.
SIERRA'S POV
Total devastation of the dock area. Most of the dock is under water. The security tower has crashed into the sea.
Smoke and fire is rising from wooden pillars and supports. It looks as if a huge bomb had hit the area.
Sierra's eyes close and her head sags. To her surprise, she hears the sound of a small boat ENGINE starting.
Raising her head, Sierra can't believe her eyes. From the devastated and burning remains of the pier, Reed SPUTTERS out toward Sierra on a SeaDoo, towing a second SeaDoo.
When Reed sees Sierra he breaks into a huge grin. Sierra is speechless with joy.
As Reed quickly closes on Sierra, he cuts the engine and they drift together. They embrace and passionately kiss. Finally, Sierra breathlessly breaks the kiss.
SIERRA
We did it. We did it for our dads.
REED
We killed the monster.
AERIAL SHOT - ABOVE THE BAY
From a bird's eye view, two SeaDoo's are towing two kayaks across the sun lit bay.
SKY NEAR THE DESTROYED DOCK
A flock of SCREECHING seagulls descend on floating wreckage from the dock explosions.
Part of a wooden crate has wharf rats clinging to the wood slats. The rats are dead, but green glowing Voracicillus is alive on the rodents. The gulls fight over the carcasses.
A gull snatches a carcass in its beak and flies off.
As the gull flies away, the bird becomes aware of a strange sensation in its beak caused by the carrion. It shakes the carcass loose.
The carcass floats down toward an oil tanker anchored in the bay. The bacteria-laden carcass lands in an oil slick.
The oil slick is caused by leakage from the oil tanker.
The oil comes from an outlet in the side of the tanker.
The green glowing Voracicillus begins its voracious consumption of the oil slick.
FADE OUT:
THE END
†