Jan-Bodo Bruhns:
1999-2007 Freelance
Story Analyst (HBO FILMS, BEL AIR ENT., DREAMWORKS
TV, etc.)
2002-2003
STUDIO HAMBURG
INTERNATIONAL PRODUCTION
Story Editor,
Set up and managed development office in L.A.
1998-1999
GEMINI Film Production,
Cologne, Germany
Freelance
Story Editor in L.A., consulting and development on various international
projects (i.e.
Fantasy-Drama TV Series; Thriller, Family Adventure mini-series,
German MOWs)
1996-1997 BLUE TULIP PRODUCTIONS
Intern
and Development Assistant to producer Michael Peyser and
director Jan De Bont
1996 MUNICH FILM SCHOOL
(HFF), Germany
Assistant
teacher for screenplay seminar
with Bobette Buster, co-instruction on the basics of
Hollywood
storytelling, coaching writers
1995/1996 USC, School of Cinema-TV
Teaching
assistant for two classes:
"Graduate
Film Business" and
"Script
Analysis for the Producer"
Development/Consulting work
2005 SOMETIMES IN
APRIL, HBO Films (wr/dir: Raoul Peck)
German subtitles writer and editor for
Berlin film festival
2002 SOUL OF A NATION, HBO Films (in
development)
Researcher for writer Kate Lanier (Set it off, What’s Love got to do with it,
etc.),
research and story notes for animated drama about the history of
African-American music
1999 A SORDID AFFAIR, aka
THE HUSTLE (US video title),
aka
DIE ABZOCKER (German TV title), story editor (uncredited development notes),
Gemini Film,
thriller written by David Howard and Michael Capellupo
1997 SAVING PRIVATE RYAN
German
Consultant for writer Frank
Darabont on uncredited rewrite, research and German dialogue
translation
Screenplays and Treatments
2005 THE
OUTPOST, Scifi/Horror spec
1997 LEGENDS OF THE SEA,
spec script, Action-Adventure
| |
Gebühren fü: |
|
|
Drehbücher 90 Minuten: |
Euros 290- |
|
Treatment bis 60 Seiten: |
Euros 210- |
|
Serienkonzept bis 30 Seiten: |
Euros 160,- |
|
Exposé bis 10 Seiten: |
Euros 160- |
|
|
|
|